The Saturday Read – ‘All The Beauty In The World’ by Patrick Bringley

One summer I worked in the restaurant at the Metropolitan Museum of Art. No, not one of those that exist today, but the Dorothy Draper designed open space with water, and muses, and gigantic lighting fixtures; furnished with wrought iron tables and chairs and situated at the south end of the building, in the Lamont Wing’s Roman courtyard. The enormity of the space required a hostess (me) to direct hungry museum-goers further south to a self-service cafeteria area. Once seated, waiters would bring beverages and clear the remains of lunch. 

We were members of ‘support staff’, contract labor, adjunct to the mission of The Met. But what a collection of unique experience and talent was hidden from view, behind the facade of a job description! 

It was the memory of that New York summer that drew me to Patrick Bringley’s new memoir, ‘All the Beauty in the World: The Metropolitan Museum of Art and Me’. Change is a constant and so is beauty. Exhibits rotate, curators create new visual displays, and the museum for the most part, remains blind to the resumes of life experience serving within its marble walls.

Bringley changes the script a bit by sharing his own experience while introducing the reader to some of his colleagues in dark blue suits – keeping the art safe by day, engaging in their individual creative outlets once they leave the building.

We’re all more than our job description. Some folks will never get that. Patrick did.

In the fall of 2008, Patrick Bringley added ‘museum guard’ to his resume, after a stint at The New Yorker “… in a small, somewhat glamourous department that produced the magazine’s public events…”

Like many recent college grads, “… more than a bit blinded by the bright lights…”, he anticipated great success within the culture of an iconic institution. “But it’s very hard, when you’re in a good light – “where did you say you work? The New Yorker?!” – to accept that it isn’t you: it’s just light.”

It’s the insight we get when we take time to reflect on those first career choices: 

“I don’t know exactly what I expected upon entering “the real world” after college, but I expected that it would feel real.”

Life events intervene. “I applied for the most straight-forward job I could think of in the most beautiful place I knew. This time I arrive at the Met with no thought of moving forward.”

The book is a workplace memoir, a meditation on beauty and an insider’s tour of one of the world’s most famous places. 

It’s a personal reflection on career, identity and finding community where you may least expect it. For me, this book is a recognition that each career choice is an overlay of the one before, fitting for the moment.  “Not so long ago, I had a very different sort of job, one where they told me I was “going places” … I find myself happy to be going nowhere.”

And it’s a book about working in a place of beauty. “I have spent my hours absorbing art, but what if instead I actively wrestle with it, trying to bring all different aspects of myself to bear on the questions it raises? It seems to me that this is a worthy mission for anybody entering an art museum. After we quiet our thinking mind to experience art, we will want to switch it back on, reassert ourselves, and in that way learn even more.”

After a decade at the museum, it’s time for a new career choice. “I don’t have a simple purpose anymore, as I did when I came to the museum. Instead I have a life to lead.”

Lucky for the reader, one of his choices was to write his memoir. 

And, about that ‘water feature’ in the middle of the restaurant in the Lamont Wing… the muses are now out of the darkness, in the sunshine.

“At the center of the pool was a work commissioned by the Museum from the Swedish-born sculptor Carl Milles, titled The Fountain of the Muses, which now resides with Brookgreen Gardens—a sculpture garden and wildlife preserve located in Murrells Inlet, South Carolina.”

Your ‘guide on the side’

One of the most intimidating aspects of job search is networking. Along with that, one of the most mysterious – finding a mentor. Why the mystery? “We don’t know anyone.” And, our pandemic isolation has limited the professional opportunities for ‘accidental’ conversations.

Maybe we’ve just made the process a bit too complicated. 

Simplify and begin with two questions: Can you articulate your career expectations?  Do you believe we learn from the wisdom of others? Your answers emphasize a thoughtful assessment of your talent and a willingness to accept counsel from those who have faced challenges and succeeded over time.

“The best mentorship is not a kind of leading, but a kind of being with.”

Jenny Shank

This captures the essence of the ‘guide on the side’ definition of a mentor. It’s not about a Disney created fairy godmother waving a magic wand to grant your career wish. Rather, a GPS voice, in the background, recalculating as you ‘proceed to the route’ toward your destination. 

Along the way, developing a relationship with a mentor isn’t limited to career advancement. A mentor doesn’t have to be in your chosen career field. Basically, you’re looking for an adviser who is willing to share their experience, and whose advice you respect – a professional relationship that endures over time based on clear, engaged communication, beyond a specific job description. 

“In a time of incredible change, professional disruption, and overwhelming loneliness, mentorship can anchor us. The connection and meaning it can bring through rapport and clarity of purpose is critical to supporting people through turmoil, and it can strengthen relationships across one’s organization.” 

Mariana Tu and Michael Li

Ask questions. Be curious. Listen. Act on the feedback you receive.

“At its highest level, mentorship is about being “good people” and having the right “good people” around us — individuals committed to helping others become fuller versions of who they are.”

Anthony K. Tjan

In this time of the ‘great resignation’ little has been written about consultation and reflection. Major work/life changes can be scary and a ‘devil’s advocate’ is priceless as you evaluate the potential outcomes of your decision. When you embark on a new adventure, your ‘guide’ can help you focus and stay on course.

 “A true mentor does not have to open doors but instead show us how to endure and persist with grace when doors will inevitably be shut.” 

Jenny Shank

Maybe that’s what we need most right now, in a forever changed workplace – an ability to endure and persist with grace – open to the professional generosity of others.

“My work has taught me some valuable lessons, but perhaps the most important is that no matter what stage you’re at, it’s worth learning how to make an ask, nurture, and maintain these kinds of relationships.” 

Janet T. Phan  

Learn More:

‘What the best mentors do’ Anthony K. Tjan

‘The 5 types of mentors you need in your life’ Julia Fawal

‘What’s the right way to find a mentor?’ Janet T. Phan

‘What Great Mentorship Looks Like in a Hybrid Workplace’ Mariana Tu and Michael Li

‘Lucia Berlin: My Mentor in Being an Outsider’ Jenny Shank

The Friday Poem – ‘For the young who want to’ by Marge Piercy

When I started ‘work thoughts’ in 2015, I included a poem each Friday to allow the reader to step away from their daily workplace and gain a perspective of work through the words of various artists. To my surprise, looking back, the most searched topic on this site has been the poetry.

Sales for books of poetry have been increasing since 2019, with the majority of purchases in the ‘under-34’ demographic. “Poetry experts say that the pandemic, along with the social unrest the country has been experiencing, could have something to do with it..”

“We’ve been reminded during this time that poetry is an art form that people turn to in times of crisis for comfort and courage… “

Jennifer Benka, president and executive director of the Academy of American Poets

The selection this week is a reflection on work and recognition. Poet Marge Piercy (the first ‘Friday Poet’ considers her own profession as a writer, while offering advice ‘For the young who want to’. Her thoughts are equally relevant to each of us following our own unique calling.

For the young who want to

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.

Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don’t have a baby,
call you a bum.

The reason why people want M.F.A.’s,
take workshops with fancy names
when all you can really
learn is a few techniques,
typing instructions and some-
body else’s mannerisms

is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving you may be a clumsy sadist
whose fillings fall into the stew
but you’re certified a dentist.

The real writer is one
who really writes. Talent
is an invention like phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.

Marge Piercy, ‘Circles on the Water: Selected Poems’  (NY: Alfred A. Knopf, 1982)

Photo credit: BillMoyers.com ‘Sounds of Poetry’ 1999

The Future is NOT One Thing

Did the pandemic cause us to think differently about work? Did the constant reminder of our mortality in the sound of sirens and breaking news alerts, stop us in our career tracks? Has a ‘great reflection’ occurred to prompt the ‘great resignation’? 

“I think of all the people playing roles, getting further and further away from themselves, from what moves them, what stirs them all up inside.”  Lily King, ‘Writers and Lovers: A Novel’                                          

Have we stepped back, recalculated and narrowed the gap between who we are at work and who we are? 

How do we even do that?

I think the first step is to recognize that we have a choice – at every career ‘hinge-point’ – we can choose. 

And it’s not one decision. Choosing a major in college doesn’t determine your life path. An internship isn’t a lifetime commitment. The first job is just that. 

‘Try to do the work that brings out the best in you. I say this to my university students: You are at university to understand your gifts and what you love to do. If you are lucky, they will be the same thing. If not, let’s talk and see if we can increase the overlap. If you relish your work, you will not have a disappointing career. When failure comes, and they come to everyone, you will have loved the work itself.” Sherry Turkle, ‘The Empathy Diaries’ 

‘If you relish your work, you will not have a disappointing career.” It’s the curiosity thing. The question that you leave at the end of the day, that compels you to get up the following morning. It’s the energy of colleagues who encourage and challenge. It’s being in a place where you can succeed. It’s discovering your gifts as you actively engage with all aspects of your workplace. It’s about sharing those gifts as you put your experience to work.

“That’s what I hope students in MFA programs now can understand – the future is not one thing. So many possibilities can arise as a result of intelligence, education, curiosity, and hard work. No one ever told me that, and I’m sorry it took this long for me to figure it out… My MFA showed me the importance of community. We are social creatures. Even the introverted readers, the silent writers, want a place where they feel welcomed and understood. I had wanted that once, and now I can give it to others. That’s how I’ve wound up putting my degree to work. That’s how I discovered that my truest destiny was I thing I never saw coming.” Ann Patchett, ‘These Precious Days: Essays’

That other thing we learned in the pandemic- we are much better humans as part of a community – face to face. 

As we emerge from our bubbles and begin to connect, we will rediscover how who we are at work can meld with who we are. It really does take a village and in building ours anew, we may discover our destiny is the thing we never saw coming.

“Becoming open again to the generosity of others offers a fresh way to see the world. Small kindnesses from friends and strangers suddenly feel outsize in their humanity.”  Sarah Wildman, ‘Self-Sufficiency Is Overrated’

The future is not one thing. (And, we are not alone.)

The Saturday Read: ‘Manifesto’ by Bernardine Evaristo

“I was never prepared to settle for less than I desired.”

I sometimes think our investment in professional development is better made on novels and memoirs vs. management guides. If you agree, head to your local independent bookstore for a copy of author Bernardine Evaristo’s ‘Manifesto’. (You may add an underlining marker to your purchase as well – take notes!) This memoir by the Booker Prize winning author follows her life and career trajectory and in doing so, describes influences, struggles, priorities, commitment, and the value of life-long learning.

She begins with a question: “Most people in the arts have role models –writers, artists, creatives – who have inspired them, but what are the other elements that lay the foundation for our creativity and steer the direction of our careers?”

How do you find a path to success when you don’t have access to the resources of the elite? How do you move beyond “My school didn’t inspire me to greatness… Nobody encouraged us to think big and make our dreams come true.”?  

In seven chapters, Ms. Evaristo details the evolution of her work ethic, commitment to craft and determination to mentor those who follow. Her story is a lived example of the value and responsibility of experience. Her narrative is relevant because each reader will find a point of connection in following the writer’s journey. 

“… we all learn, eventually that life demands a lot more from us than the ability to get good grades. Combating struggle and disappointment early on in life can instill a strength and determination we would not otherwise possess… Life presents us with obstacles. It’s never a completely smooth ride for anyone, and while nobody wants to struggle, it’s the only way to build resilience.”

And we don’t stop learning. “My goal, as always, is to continue to write stories and to develop my skills. There is no point of arrival whereby one stops growing as a creative person; to think otherwise will lead to creative repetition and stagnation.”

We read memoirs because we are curious. At the center, who is this person?

“I am first and foremost a writer; the written word is how I process everything – myself, life, society, history, politics. It’s not just a job or a passion, but it is at the very heart of how I exist in the world, and I am addicted to the adventure of storytelling as my most powerful means of communication.”

But that’s only part of the story. In her book review for NPR, writer Hope Wabuke described the ‘real world’ impact of Ms. Evaristo’s commitment and influence. “Evaristo’s work in supporting inclusivity in the literary arts is legend. It includes the commission of a Free Verse report, which found that less than 1% of poetry books in the United Kingdom were published by poets of color, and then creating a mentorship program, The Complete Works, to do something about it; this program mentored 30 poets over two years. Evaristo’s advocacy work also created the Brunel Poetry Prize for African writers, the first and largest award of its kind, and led her to work alongside Kwame Dawes in situating the African Poetry Book Fund as a force that has changed the shape of contemporary publishing. Most recently, as the curator of Black Britain: Writing Black, Evaristo is republishing overlooked books by Black authors such as Minty Alley, by C.L.R James originally published in 1936.”

‘Manifesto’ is one more creative endeavor for Ms. Evaristo to share her wisdom. Not all influences are one-on-one connections. Sometimes we find direction in a book. 

“We must pass on what we know to the next generation, & express gratitude to those who help us – nobody gets anywhere on their own.”

Learn more:

Bernardine Evaristo books – https://bevaristo.com/books/

Black Britain: Writing Back – https://www.theguardian.com/books/2021/jan/09/booker-winners-mission-to-put-uks-forgotten-black-writers-back-in-print

Brunel African Poetry Prize – https://www.africanpoetryprize.org

An aside: I picked up two new applicable concepts: “period of self-calibration” (which we can all use about now) and “to bounce back in the act of falling.” (advice to her students to continue to be positive) 

The Friday Poem: ‘How Will This Pandemic Affect Poetry?’ by Julia Alvarez

Last spring, author Valeria Luiselli accepted the British Rathbone Folio Prize for her novel, ‘Lost Children Archive’. She spoke of the writer’s responsibility, “whether a science-fiction writer, a journalist, a poet, each at their own pace and within their own capacities, to document this moment”.

“We are going to need this narrative fabric, some sort of fabric for us to lay down once we overcome this.”

One expression of this “narrative fabric” is the recently published poetry anthology, ‘Together in a Sudden Strangeness’ edited by Alice Quinn.  

The Friday Poem selection for this week is Julia Alvarez’s ‘How Will This Pandemic Affect Poetry?’ As we reimagine our priorities ‘after’, framed by our experience in the ‘before times’ and pandemic isolation, where will art reside? 

How Will This Pandemic Affect Poetry?

Will the lines be six feet apart?

Will these hexameters be heroic like Homer’s?

(Will) (each) (word) (have) (to) (be) (masked) (?)

Will there be poetry insecurity?

Will there be enough poetry to go around?

Will poems be our preferred form of travel?

Will we undertake odysseys searching for Ithacas inside us?

Will poetry go viral?

Will its dis/ease infect us?

Will it help build up antibodies against indifference?

Will poems be the only safe spaces where we can gather together:

            enter their immense silences

            see snakes slithering inside sestinas, 

            listen to nightingales singing on the boughs of odes –

            hark! a lark in the terza rima,

            a hawk in a haiku?

What if only poetry will see us through?

What if this poem is the vaccine already working inside you?

Julia Alvarez

April 27 – May 8, 2020

Weybridge, Vermont

‘Together in a Sudden Strangeness: America’s Poets Respond to the Pandemic’

Alice Quinn, editor    Alfred A. Knopf, New York    2020

The Friday Poem: ‘August’ by Mary Oliver

It’s August, an intermission before the commotion of fall. Except this has been an August, a summer, like no other. There is no certainty, other than the world at a distance of six feet.

In this time, ‘The Friday Poem’ returns after a few ‘fits and starts’, with ‘August’ by Mary Oliver.

We have lost spring, snug in our ‘stay at home’ place or serving on the front lines as essential workers. Summer is passing, offering the gift of a journey outside – breathing fresh air, splashing in a brook, climbing a tree, standing in the rain – away from our workplace for a moment.

Poetry and art will sustain us.

August

When the blackberries hang
swollen in the woods, in the brambles
nobody owns, I spend

all day among the high
branches, reaching
my ripped arms, thinking

of nothing, cramming
the black honey of summer
into my mouth; all day my body

accepts what it is. In the dark
creeks that run by there is
the thick paw of my life darting among

the black bells, the leaves; there is
the happy tongue.

 

Mary Oliver
American Primitive: Poems   Back Bay Books 1983

august

 

 

The Friday Poem – ‘How Would You Live Then?’ by Mary Oliver

Thinking about work is thinking about choice. What decisions have you made? What remains? What if? There are always possibilities. The only limit is your imagination.

This week, the Friday Poem from Mary Oliver.

How Would You Live Then?

What if a hundred rose-breasted grosbeaks
     flew in circles around your head? What if
the mockingbird came into the house with you and
     became your advisor? What if
the bees filled your walls with honey and all
     you needed to do was ask them and they would fill
the bowl? What if the brook slid downhill just
     past your bedroom window so you could listen
to its slow prayers as you fell asleep? What if
     the stars began to shout their names, or to run
this way and that way above the clouds? What if
     you painted a picture of a tree, and the leaves
began to rustle, and a bird cheerfully sang
     from its painted branches? What if you suddenly saw
that the silver of water was brighter than the silver 
     of money? What if you finally saw
that the sunflowers, turning toward the sun all day
     and every day – who knows how, but they do it – were
more precious, more meaningful than gold?

Mary Oliver ‘Blue Iris: Poems and Essays’ Penguin Random House, 2006

Summer 2019@work: Cathedral Thinking, Blue Oceans and Redefining the Purpose of a Corporation

While you were away, the U.S. commemorated the 50th anniversary of the moon landing and the effort to rebuild Notre Dame began in Paris. In New York, members of the Business Roundtable considered a new definition of the purpose of a corporation and Ava Duvernay continued to challenge conventional wisdom. It was a summer of cathedral thinking, blue oceans and questioning expertise.

These are the stories of folks who went to work every day, extending the definition of work and workplace beyond traditional boundaries to solve problems and create a vision of the future.

Here’s a sampling of articles from the Summer of 2019:

‘Why the Moon Landing Matters’ David Lidsky, Fast Company – June 1, 2019

In this moment when government is viewed by so many Americans as being unable to dream as big as it did in the 1960s, whether the dream is traveling the solar system or forestalling the calamitous effects of climate change, understanding how NASA got us to the Moon the first time is both important and inspirational. The Apollo Moon landings were an extraordinary undertaking, but they were the work of ordinary people back on Earth. We need exactly that kind of effort to tackle some of the problems we face today, from economic inequality to climate change. The Moon can show us the way.

‘Two Magical Places That Sent Apollo 11 to the Moon and Back’ Kenneth Chang, The New York Times – July 13, 2019

The two key pieces that were the astronauts’ home during their lunar trips were built on opposite sides of the country.

The Apollo capsules rolled off the assembly line in Downey, Calif., a small city 15 miles southeast of downtown Los Angeles. Fifty years ago, NASA owned a 160-acre swath of Downey — the size of two Disneylands — that was home to factories, offices and test facilities.

The story was almost the same in Bethpage, N.Y., on Long Island. That was the headquarters of Grumman Aircraft, which won the contract to build the spindly spacecraft that took Neil Armstrong and Buzz Aldrin to the surface of the moon.

In April, Notre Dame Cathedral in Paris came close to being destroyed by fire. This summer The New York Times created an interactive site to document the event and the story of those who saved the cathedral.

‘Notre Dame came far closer to collapsing than people knew. This is how it was saved.’ Elian Peltier, James Glanz, Mika Grondahl, Weiyi Cai, Adam Nossiter, and Liz Alderman. July 18, 2019

That Notre-Dame still stands is due solely to the enormous risks taken by firefighters in those third and fourth hours. 

Disadvantaged by their late start, firefighters would rush up the 300 steps to the burning attic and then be forced to retreat. Finally, a small group of firefighters was sent directly into the flames, as a last, desperate effort to save the cathedral.


“There was a feeling that there was something bigger than life at stake,” said Ariel Weil, the mayor of the city’s Fourth Arrondissement, home to the cathedral, “and that Notre-Dame could be lost.”

On August 19, the Business Roundtable issued a new statement on the purpose of the corporation.

‘Business Roundtable Redefines the Purpose of a Corporation to Promote ‘An Economy That Serves All Americans’

While each of our individual companies serves its own corporate purpose, we share a fundamental commitment to all of our stakeholders. We commit to:
–  Delivering value to our customers. We will further the tradition of American companies leading the way in meeting or exceeding customer expectations.
–  Investing in our employees. This starts with compensating them fairly and providing important benefits. It also includes supporting them through training and education that help develop new skills for a rapidly changing world. We foster diversity and inclusion, dignity and respect.
–  Dealing fairly and ethically with our suppliers. We are dedicated to serving as good partners to the other companies, large and small, that help us meet our missions.
–  Supporting the communities in which we work. We respect the people in our communities and protect the environment by embracing sustainable practices across our businesses.
–  Generating long-term value for shareholders, who provide the capital that allows companies to invest, grow and innovate. We are committed to transparency and effective engagement with shareholders.

We learn from the wisdom of others and this summer, writer, producer and director Ava DuVernay leads on innovation.

‘How Ava DuVernay Is Finding Blue Oceans in Hollywood’ Nilofer Merchant, Harvard Business Review – August 7, 2019

“Conventional thinking in red oceans is why blue oceans go undiscovered.

New markets are found when someone stands in a spot that gives them a point of view distinctly their own.


DuVernay has shown us what the work of discovering blue oceans looks like: It is claiming that spot in the world where only you stand, even if that means leaving rooms where you’re being dismissed and marginalized. It is gathering your crew, those who share your commitment and purpose and will work to create new truths. It is finding the communities that can share your vision and scale it. These are unconventional ways to lead. Leaving. Social. Sharing. They seem counterintuitive and even wrong to those who lead red oceans. But they are how growth and progress and innovation happen. It’s what explorers do to chart new territory.”

The last article from the summer continues the conversation on expertise and how we are all being asked to ‘do more with less.”

‘At Work, Expertise is Falling Out of Favor’ Jerry Useem, The Atlantic – July, 2019

“By 2020, a 2016 World Economic Forum report predicted, “more than one-third of the desired core skill sets of most occupations” will not have been seen as crucial to the job when the report was published. If that’s the case, I asked John Sullivan, a prominent Silicon Valley talent adviser, why should anyone take the time to master anything at all? “You shouldn’t!” he replied.

As a rule of thumb, statements out of Silicon Valley should be deflated by half to control for hyperbole. Still, the ramifications of Sullivan’s comment unfurl quickly. Minimal manning—and the evolution of the economy more generally—requires a different kind of worker, with not only different acquired skills but different inherent abilities. It has implications for the nature and utility of a college education, for the path of careers, for inequality and employability—even for the generational divide. And that’s to say nothing of its potential impact on product quality and worker safety, or on the nature of the satisfactions one might derive from work. Or, for that matter, on the relevance of the question What do you want to be when you grow up?

Summing up the summer recap: ordinary people are capable of extraordinary things. You just need to find your unique scenic view of the world, an employer who values your contribution, and an ability to adapt.

Photo credits: Moon Landing – NASA, Notre Dame worker – Patrick Zachmann for Magnum Arts

The Friday Poem ‘Of History and Hope by Miller Williams

For the first ‘Friday Poem’ of 2019, I’ve gone back into the Workthoughts archives to reprise Miller Williams‘ poem ‘Of History and Hope’ delivered at the Inauguration of William Jefferson Clinton in 1997.

The Washington Post obituary for professor Williams, who died on New Years Day in 2015, included an excerpt of an interview with the Oxford American magazine. In the interview the poet shared the intent behind the words.

“…he wanted the poem to be a “consideration of how a look at a nation’s past might help determine where it could be led in the future.

“I knew that the poem would be listened to by a great many people, reprinted around the country, and discussed in a lot of classrooms, so I wanted it to be true, understandable, and agreeable…”

The words of the poet, recited from the steps of the U.S. Capitol building, 22 years ago, speak to us in this current place that is American, 2019.

“We mean to be the people we meant to be,
to keep on going where we meant to go.”

Of History and Hope

We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.

But how do we fashion the future? Who can say how
except in the minds of those who will call it Now?
The children. The children. And how does our garden grow?
With waving hands—oh, rarely in a row—
and flowering faces. And brambles, that we can no longer allow.

Who were many people coming together
cannot become one people falling apart.
Who dreamed for every child an even chance
cannot let luck alone turn doorknobs or not.
Whose law was never so much of the hand as the head
cannot let chaos make its way to the heart.
Who have seen learning struggle from teacher to child
cannot let ignorance spread itself like rot.
We know what we have done and what we have said,
and how we have grown, degree by slow degree,
believing ourselves toward all we have tried to become—
just and compassionate, equal, able, and free.

All this in the hands of children, eyes already set
on a land we never can visit—it isn’t there yet—
but looking through their eyes, we can see
what our long gift to them may come to be.
If we can truly remember, they will not forget.

Miller Williams  ‘Some Jazz A While: Collected Poems’  1999