The Friday Poem ‘Baseball’ by John Updike

The Friday Poem this week is for the ‘Boys of Summer’: those who go to work playing baseball, those who spend their hours after work on a diamond with friends, and the real boys who grab bat and glove after school on the way to Little League practice.

On Wednesday evening, one of those who make a living @baseball, the Dodger’s Rich Hill, threw eight perfect innings of baseball in Pittsburgh, coming up short of both a perfect game and a no-hitter when a third base error in the ninth and a lead off home run in the 10th gave the Pirates the win.

Less than 200 miles northeast, the Little League World Series approached its championship weekend as players ages 11-12 years competed for a chance to represent their country in the international final.

With baseball in the air, John Updike, baseball writer, is our choice for this week’s Friday Poem.

Baseball

It looks easy from a distance,
easy and lazy, even,
until you stand up to the plate
and see the fastball sailing inside,
an inch from your chin,
or circle in the outfield
straining to get a bead
on a small black dot
a city block or more high,
a dark star that could fall
on your head like a leaden meteor.

The grass, the dirt, the deadly hops
between your feet and overeager glove:
football can be learned,
and basketball finessed, but
there is no hiding from baseball
the fact that some are chosen
and some are not—those whose mitts
feel too left-handed,
who are scared at third base
of the pulled line drive,
and at first base are scared
of the shortstop’s wild throw
that stretches you out like a gutted deer.

There is nowhere to hide when the ball’s
spotlight swivels your way,
and the chatter around you falls still,
and the mothers on the sidelines,
your own among them, hold their breaths,
and you whiff on a terrible pitch
or in the infield achieve
something with the ball so
ridiculous you blush for years.
It’s easy to do. Baseball was
invented in America, where beneath
the good cheer and sly jazz the chance
of failure is everybody’s right,
beginning with baseball.

John Updike from ‘Endpoint and Other Poems’ 2009

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Photo credit: Charles LeClaire USA TODAY sport

You can’t go home again – keeping a journal to tell your story

“If you don’t turn your life into a story, you just become a part of someone else’s story.”             Terry Pratchett*

How do you turn your life into a story? A timeline of your social media posts might provide a hint to your narrative’s trajectory, but the best way is to begin recording what’s happening in your life on a daily basis; on paper, in a journal.

One of the best jobs I ever had was leading a freshman seminar, ‘You Can’t Go Home Again, Now What?’. At the beginning of the fall semester I gave each first year student a blank Moleskine notebook.  The direction was simple – “record your observations of people and place… keep your memories the old fashioned way – on paper. This is your personal space for your personal thoughts.”

Keeping a journal is way to establish a routine in a new environment and at the same time reflect on the unique experience of joining a new community. It’s a practice where you take ownership of your story.

“When  you leave college, there are thousands of people out there with the same degree you have; when you get a job, there will be thousands of people doing what you want to do for a living.

But you are the only person alive who has sole custody of your life. Your particular life. Your entire life. Not just your life at a desk, or your life on the bus, or in the car, or at the computer. Not just the life of your mind, but the life of your heart. Not just your bank account, but your soul.”
Anna Quindlen**

College is just one catalyst to begin the process of recording  and reflecting. The ‘Back to School’ aisles in your local Target are full of notebooks in every imaginable shape and size, just waiting to capture your creativity.

Why a notebook and not an online journal? It’s important to disconnect and avoid distraction when you’re talking to yourself about your day. And then there’s the apocalyptic view: when we are all off the grid, we’ll still have our journals.

When we scribble a few words, we are compiling a record that simply makes sense of the day. And on those days when things have not worked out as planned, it’s the perfect place to vent, in the privacy of the lined (or unlined) page.

What happened to all those first year students and their Moleskine journals? I think some may still be in a storage bin, blank. But for many, they contain the treasure of a story of transition and change, a template for continuous, lifelong learning.

String a few years of journal entries together and you begin to see career patterns emerge: choices, consequences and course corrections.

Your journal is your story. There are no rules. You’re writing your story in real time. Don’t edit, but do read what you write.

Take care of the life of your mind while paying attention to the life of your heart.

*Terry Pratchett   ‘The Amazing Maurice and His Educated Rodents’ 2001
**Anna Quindlen   ‘A Short Guide to a Happy Life’ 2000

 

The Friday Poem ‘The Good Life’ by Tracy K. Smith

The new U.S. poet laureate, Tracy K. Smith, considers the writing of poetry “a superpower.” 

“A good poem teaches you to look at the ordinary world and see something completely new within it.”

On Thursday she was interviewed by Charlie Rose on the CBS Morning News. He asked, “Why did you become a poet?”

“I loved what poems did for me as a reader. Even as a child I loved the sound of language and the sense of surprise that poems could inspire.”

The Friday poem this week is ‘The Good Life’ from the 2012 Pulitzer Prize winning collection, ‘Life On Mars: Poems’.

The Good Life

When some people talk about money
They speak as if it were a mysterious lover
Who went out to buy milk and never
Came back, and it makes me nostalgic
For the years I lived on coffee and bread,
Hungry all the time, walking to work on payday
Like a woman journeying for water
From a village without a well, then living
One or two nights like everyone else
On roast chicken and red wine.

Tracy K. Smith    ‘Life on Mars: Poems’ 2011

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Photo credit: Shawn Miller/Library of Congress

 

 

The Friday Poem ‘The Way It Is’ by William Stafford

“There’s a thread you follow.” opens this week’s Friday Poem, ‘The Way It Is’, from poet, writer, and photographer William Stafford.

As a conscientious objector during the second World War, Stafford worked in civilian public service camps for the U.S. Forest Service in Arkansas and California. In 1948 he moved to Oregon to teach at Lewis and Clark College.

In 1963 he was selected to receive the National Book Award from a group of nominees including William Carlos Williams and Robert Frost. He served as Consultant in Poetry to the Library of Congress in 1970, a position that today carries the title of Poet Laureate.

In addition to his 65 volumes of poetry and prose, he left a collection of 16,000 photographic negatives to the archive at Lewis and Clark College. In a 2014 interview for Oregon Public Broadcasting, his son, Kim Stafford commented on his father’s discomfort with the spotlight. “When he became famous, the camera allowed him to leave the center of the circle and document the other writers.”

His lifetime spanned decades of dramatic change, and yet he stayed true to his values. His accomplishments and awards did not distract. “…You don’t ever let go of the thread”.

The Way It Is

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.

William Stafford   ‘The Way It Is’   Graywolf Press, 1999

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Photo credit: Kim Stafford

The week@work: Finding Amelia Earhart, Amy Pascal’s pivot, a ‘netflix’ of education and why you need a study plan

For a holiday week, there was a significant assortment of ideas and stories beyond the headlines. The History Channel broadcast the results of an investigation into the disappearance of Amelia Earhart, sparked by the discovery of a photo misfiled in the National Archives. One of Hollywood’s most powerful executives, Amy Pascal, reemerged as the producer behind the latest summer blockbuster and a career lesson for all. On the practical application of ideas to workplace; two articles explored the value of designing an organizational culture of learning and developing an individual study plan  as a catalyst for creativity.

At a time when there were few role models for women, aviatrix Amelia Earhart captured the imagination as she embarked on her first solo flight of the Atlantic, and later when she attempted to fly around the world in a twin engine Lockheed Electra. On July 2, 1937 she left Lae, New Guinea with her navigator Fred Noonan following a flight plan to Howland Island. They never reached their destination, fueling 80 years of theories and investigations, the most recent citing a photo found in the National Archives.

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According to the research conducted for the History Channel, Ms. Earhart and Mr. Noonan were captured by the Japanese and later taken to a prison on Saipan. The authenticated photo shows a man and woman with similar physical characteristics of the missing duo. To be continued…

Before the hack of the Democratic National Committee, there was the Sony Studios hack. The studio head at the time was Amy Pascal and the details of emails subsequently made public resulted in her termination. She’s back…Brooks Barnes reported on her career transition for The New York Times.

“Ms. Pascal, a 59-year-old woman in an industry rife with sexism and ageism, seems to have emerged stronger and happier, having reinvented herself as a producer through her company, Pascal Pictures. She will deliver three films to three different studios this year, with more than a dozen more movies on the assembly line. On a personal level, after a lot of soul-searching, some in a therapist’s office, she has tried to see the hack as freeing. After all, she has no more secrets.”

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How does the downfall of a powerful studio head relate to the rest of us? Chances are, in a career lifetime, you will get fired. Take note of Ms. Pascal’s evolution.

“I will always carry what happened with me,” she said. “There’s no other way. But you scrape as much grace as you possibly can off the ground and you move forward.”

Moving forward is the theme of the next two stories this week@work.

Karl Mehta and Rob Harles suggest ‘In the knowledge economy, we need a Netflix of education’.

“The problem is that we are drowning in content — but are starving for knowledge and insights that can help us truly be more productive, collaborative and innovative.”

“The solution for the learning and development industry would be a platform that can make education more accessible and relevant — something that allows us to absorb and spread knowledge seamlessly. Just as Netflix delivers entertainment we want at our fingertips, the knowledge and learning we need should be delivered where and when we need it.”

Their proposal analyzes the hurdles, and envisions “the democratization of knowledge” where employers provide “employees the skills and knowledge to thrive, which would have previously been time-consuming or impossible to obtain.”

While we wait for employers to create the learning culture utopia, how do we fuel our individual radical curiosity?

Todd Henry reiterated the importance of stimuli to creativity with ‘Why you should have a study plan (and how to make one)’.

“…most of the incredibly successful people I encounter in the marketplace have some form of study plan that they follow in order to help them spot patterns in their business, anticipate client needs, and simply spark new ideas and new categories of thought.”

He offers three steps to get started: “Dedicate a regular time for study. Study broadly and deeply. After you read, reflect.”

As we begin another week@work, #MondayMotivation – a quote from writer Maxine Hong Kingston: “In a time of destruction, create something.”

 

 

The Friday Poem ‘Remember’ by Joy Harjo

April is National Poetry Month and next Thursday, April 27 is ‘poem in your pocket day’. Download your favorite poem or one from the Academy of American poets site, carry it around with you for the day and share it with friends and colleagues.

The Friday Poem this week comes from the Academy’s selection, ‘Remember’ by Joy Harjo.

Remember

Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
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Want to improve your communication skills? Spend the weekend at #bookfest

Want to improve your communication skills? I have two items to add to your ‘to do’ list: The Los Angeles Times Festival of Books and the ‘How I Got Here’ podcast.

How do these dots connect? Pulitzer prize winning author, Jon Meacham put it simply as a guest on the April 4th podcast:

“There is a direct connection between the number of great books you read and your own capacity to express yourself.”

Think about it. Now consider your catalog of reading materials over the past month. Could there be a connection with the difficulty you are encountering coming up with a business proposal in more than 140 characters/no emoji?

Time for a cultural intervention this weekend to jump start your personal ‘communication improvement project’.

Step one: Come to Los Angeles for the LA Times Festival of Books on the campus of the University of Southern California. Step two: Maintain the momentum with a subscription to the weekly ‘How I Got Here’ podcast.

The book festival is a two day event hosting authors, poets, and musicians discussing their work at moderated panels and outdoor stages. All the events are free and provide amazing access to those creating art in these interesting times.

As an example, my itinerary for the weekend includes a two panels on biography and epic history, four ‘indoor’ conversations with George Saunders, Roxanne Gay, Chris Hayes and Margaret Atwood, and an a cappella performance by the SoCal VoCals.

I doubt you will leave the venue without at least one new book (perhaps bearing an author signature) to continue your adventure in reading and improved communication.

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Next week on your commute or morning run listen to ‘How I Got Here’. The podcast, hosted by Georgetown University grads Tim Barnicle and Harry Hill, is a weekly exploration of the diverse career trajectories of various luminaries.

Imagine sitting for an hour with your career idol as they describe their path to success.

If you believe we learn from the wisdom of others, events and podcasts are a treasure trove of accumulated knowledge.

What are you waiting for?

 

 

 

The Friday Poem ‘Baseball’ by Gail Mazur

The Friday Poem this week is for those whose workplace is the ballpark. It’s the first week of April and the dream of a World Series Championship is possible for each of Major League Baseball’s thirty franchises and their fans.

Our ‘national pastime’ has often been used as a metaphor for life. Poet Gail Mazur shared her connection to the diamond with her poem ‘Baseball’.

“Well, of course, baseball, to the ardent fan, IS a metaphor and more. I couldn’t write that poem until I thought of denying baseball was a metaphor, then I could go all out. Everything about the game and the park seemed like metaphor. And a fan’s sense of loss—or exhilaration—no matter how intense, is more bearable than the real losses in our lives. But still, but still, one feels one lives and dies, as the saying goes, with one’s team! After the first line, I wrote it in a few minutes, one of those gifts”

Baseball
for John Limon

The game of baseball is not a metaphor
and I know it’s not really life.
The chalky green diamond, the lovely
dusty brown lanes I see from airplanes
multiplying around the cities
are only neat playing fields.
Their structure is not the frame
of history carved out of forest,
that is not what I see on my ascent.

And down in the stadium,
the veteran catcher guiding the young
pitcher through the innings, the line
of concentration between them,
that delicate filament is not
like the way you are helping me,
only it reminds me when I strain
for analogies, the way a rookie strains
for perfection, and the veteran,
in his wisdom, seems to promise it,
it glows from his upheld glove,

and the man in front of me
in the grandstand, drinking banana
daiquiris from a thermos,
continuing through a whole dinner
to the aromatic cigar even as our team
is shut out, nearly hitless, he is
not like the farmer that Auden speaks
of in Breughel’s Icarus,
or the four inevitable woman-hating
drunkards, yelling, hugging
each other and moving up and down
continuously for more beer

and the young wife trying to understand
what a full count could be
to please her husband happy in
his old dreams, or the little boy
in the Yankees cap already nodding
off to sleep against his father,
program and popcorn memories
sliding into the future,
and the old woman from Lincoln, Maine,
screaming at the Yankee slugger
with wounded knees to break his leg

this is not a microcosm,
not even a slice of life

and the terrible slumps,
when the greatest hitter mysteriously
goes hitless for weeks, or
the pitcher’s stuff is all junk
who threw like a magician all last month,
or the days when our guys look
like Sennett cops, slipping, bumping
each other, then suddenly, the play
that wasn’t humanly possible, the Kid
we know isn’t ready for the big leagues,
leaps into the air to catch a ball
that should have gone downtown,
and coming off the field is hugged
and bottom-slapped by the sudden
sorcerers, the winning team

the question of what makes a man
slump when his form, his eye,
his power aren’t to blame, this isn’t
like the bad luck that hounds us,
and his frustration in the games
not like our deep rage
for disappointing ourselves

the ball park is an artifact,
manicured, safe, “scene in an Easter egg”,
and the order of the ball game,
the firm structure with the mystery
of accidents always contained,
not the wild field we wander in,
where I’m trying to recite the rules,
to repeat the statistics of the game,
and the wind keeps carrying my words away

Gail Mazur  ‘Zeppo’s First Wife: New and Selected Poems’ 1978

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The week@work – women@work, laziness and success, co-working space @Staples, and repeal of online protections

This week@work we learned that the sculptor Kristen Visbal’s ‘Fearless Girl’ will remain on Wall Street though the beginning of 2018. A timely, symbolic decision given the other news of the week for women@work, which could convince one that they had time traveled back to 1957: continuing sexual harassment allegations @Fox, declining numbers of female coaches in women’s college basketball, Mike Pence’s views on lunch meetings, new research indicating a possible retreat from gender equality, and the headline from the Daily Mail which covered Brexit talks between Theresa May and Nicola Sturgeon as ‘Legs-It’.

In other stories this week@work, office supply company Staples is partnering with Workbar to offer co-working spaces, author Michael Lewis’ described how laziness contributed to his success, and various experts offered suggestions to secure your digital privacy in light of internet protections repeal.

Last night, the University of South Carolina’s womens’ basketball team won the NCAA national championship.

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Dawn Staley finally could raise an NCAA championship trophy…Staley made the Final Four three times as a player at Virginia but never won. She also led the Gamecocks to the national semifinals two years ago before losing to Notre Dame.”

Earlier this month Coach Staley was named the U.S. Olympic women’s basketball coach through 2020.  Jere Longman reported on the state of college coaching as the ‘Number of Women Coaching in College Has Plummeted in Title IX Era’.

“Tara VanDerveer has won two national championships at Stanford and coached the American women to a gold medal at the 1996 Atlanta Olympics. Dawn Staley, the recently named 2020 Olympic coach, won three gold medals as a player and has guided South Carolina to the national semifinals for the second time in three seasons.

Yet even as VanDerveer and Staley again appear on their sport’s most visible stage, the opportunity for women to coach female collegiate athletes has stagnated after a decades-long decline.

In 1972, when the gender equity law known as Title IX was enacted, women were head coaches of more than 90 percent of women’s college teams across two dozen sports. Now that number has decreased to about 40 percent.”

On Wednesday, The Guardian journalists Anushka Asthana and Rowena Mason reported on the initiation of the formal process to separate Great Britain from the European Union.

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“A letter signed by the prime minister will be hand-delivered to the president of the European council at about 12.30pm – as she rises in Westminster to deliver a statement to MPs signalling the end of the UK’s most significant diplomatic association since the end of the second world war.”

Unfortunately, the momentous occasion was not compelling enough. A photo soon emerged of the prime minister and first minister of Scotland provoking a sexist headline and article from the Daily Mail, prompting “immediate criticism from politicians, commentators and members of the public after it first appeared on Twitter on Monday night. Conservative MP and former Education Minister Nicky Morgan accused the paper of “appalling sexism”.

“Seriously? Our two most senior female politicians are judged for their legs not what they said #appallingsexism,” Ms Morgan said.

Labour MP Yvette Cooper joked that the clocks had “gone forward this weekend, not 50 years back”, while former Labour Leader Ed Miliband wrote the “1950s called and asked for their headline back”.

And then there was this, ‘Do Millennial Men Want Stay-at-Home Wives?’. Stephanie Coontz shared new research on attitudes toward gender equity.

“…a set of reports released Friday by the Council on Contemporary Families reveals, fewer of the youngest millennials, those aged 18 to 25, support egalitarian family arrangements than did the same age group 20 years earlier.

Using a survey that has monitored the attitudes of high school seniors for nearly 40 years, the sociologists Joanna Pepin and David Cotter find that the proportion of young people holding egalitarian views about gender relationships rose steadily from 1977 to the mid-1990s but has fallen since. In 1994, only 42 percent of high school seniors agreed that the best family was one where the man was the main income earner and the woman took care of the home. But in 2014, 58 percent of seniors said they preferred that arrangement. In 1994, fewer than 30 percent of high school seniors thought “the husband should make all the important decisions in the family.” By 2014, nearly 40 percent subscribed to that premise.”

Rose Leadem reported on the new joint co-work space venture between Staples and Workbar.

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“Staples isn’t just for office supplies or printing anymore. Three of the company’s Massachusetts stores now include happy hour, retro music and mod seating — that is, it’s adding coworking spaces.

Since September, more than 200 people have signed up for memberships, which cost $130 a month. The company hasn’t revealed plans for more locations, but according to Bloomberg, Goodman hopes to “dominate the $80 billion-a-year U.S. midmarket, or businesses with fewer than 200 employees.”

Minda Zetlin interviewed writer Michael Lewis and found ‘Being Lazy Is the Key to Success, According to the Best-Selling Author of ‘Moneyball’.

Embracing laziness has helped him be successful because he focuses his efforts only where it really matters, he explained. Here’s how that can create a real advantage:

Being willing to be inactive or less active means you’ll be available when something truly worthy of your best effort comes along. It also means you’ll have the time and space to go looking for those really worthwhile projects. If you’re busy being busy, you’ll miss them…

“People waste years of their lives not being willing to waste hours of their lives. If you mistake busyness for importance–which we do a lot–you’re not able to see what really is important.”

“My laziness serves as a filter,” Lewis said. “Something has to be really good before I’ll decide to work on it.”

While embracing laziness, you may want to think about securing your online privacy. With the roll back of internet privacy regulations last week, Marguerite Reardon offered background and analysis, ‘Congress just killed online privacy rules. Now what?’

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“The House of Representatives on Tuesday voted 215-205 to stop FCC regulations from taking effect that would have required broadband and wireless companies to ask your permission before sharing sensitive information about you, such as the websites you visit, the apps you use or even your location. The rules would have also set standards for broadband providers to protect information they collect and store. And they would have set requirements for when and how companies would inform you if your data was stolen.

Since the FCC’s rules never actually went into effect, you won’t notice much difference in how companies are protecting your privacy. But eventually, you’ll see a lot more targeted advertising and creepy ads that follow you all over the internet. Your broadband provider, whether that’s AT&T, Verizon or Comcast, will still be able to sell some information about you to advertisers, just as Google and Facebook can.

Broadband providers are already moving into the content business, and they’re likely to get more aggressive in how the information is used and who gets to use it.”

#3 on the most read, shared and discussed posts from across the New York Times was an updated article that originally appeared in November, ‘Protecting Your Digital Life in 8 Easy Steps’. Don’t forget to cover your webcam with tape…

Photo credits:  Theresa May – Downing Street/Twitter,

 

 

 

 

 

The Saturday Read – ‘The Undoing Project: A Friendship that Changed Our Minds

The Saturday Read this week is the latest book from Michael Lewis, ‘The Undoing Project: A Friendship that Changed Our Minds’. It’s the story of Israeli psychologists Daniel Kahneman and Amos Tversky; two men who baffled colleagues at their pairing from the early days of their academic careers until the point when the public perception “was now a Venn diagram, two circles, with Danny wholly contained by Amos”.

Reading ‘The Undoing Project’ I found myself underling and annotating as I went along, re-reading passages, flipping between chapters; engaged in an academic exercise vs. an enjoyable character-driven narrative.

It’s the first time I’ve read a Michael Lewis book where I heard the voice of a Princeton alum more clearly than those of the two main characters.

Here’s the strange thing, as painful as the first read was; I keep thinking about the practical applications of the pair’s research long after the final page.

“The way the creative process works is that you first say something, and later, sometimes years later, you understand what you said.”

Read something and sometime later you understand how it applies.

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Both of these men had exceptional origin stories. Each was a genius in his own right. Each started out where we all do, with a certain degree of uncertainty about what to do with our lives.

For Danny, “From the moment he thought what he might be when he grew up, he simply assumed he would be an intellectual. That was his image of himself: a brain without a body… He’d always sensed that he would be some sort of professor, and the questions he had about human beings were more interesting to him than any others. “My interest in psychology was a way to do philosophy…to understand the world by understanding why people, especially me see it as they do.”

“Aptitude tests revealed Danny to be equally suited for the humanities and science, but he only wanted to do science. He also wanted to study people. Beyond that, it soon became clear, he didn’t know what he wanted to do.”

In an interview with Stephanie Demming, published in December, he further clarified his path.

“My own love affair with psychology began after I graduated from university in 2009, as soon as I started working in the real world. It took all of two minutes to figure out the working world didn’t function like the school system. If you worked hard, you weren’t always rewarded. The new currency was whether or not people liked you. It was a system governed not by grades, but by people’s minds.”

For Amos, “Entering high school, Amos like all Israeli kids, needed to decide if he would specialize in math and science or in the humanities. The new society exerted great pressure on boys to study math and science. That’s where the status was, and the future careers. Amos had a gift for math and science, perhaps more than any other boy. And yet alone among the bright boys in his class – and to the bemusement of all – he pursued the humanities.”

“Hebrew University in the late 1950s required students to pick two fields of concentration. Amos had chosen philosophy and psychology.  But Amos approached intellectual life strategically, as if it were an oil field to be drilled, and after two years of sitting through philosophy classes he announced that philosophy was a dry well…There are too many smart guys and too few problems left, and the problems have no solutions.”

Later, in his mid-forties he was asked by Harvard professor Miles Shore how he became a psychologist.

“It’s hard to know how people select a course in life…The big choices we make are practically random. The small choices probably tell us more about who we are. Which field we go into may depend on which high school teacher we happen to meet…On the other hand, the small decisions are very systematic. That I became a psychologist is probably not very revealing. What kind of psychologist I am may reflect deep traits.”

The career choices of these two individuals resulted in a collaboration that challenged conventional thinking on human judgement and decision making.

“A part of good science is to see what everyone else can see but think what no one else has ever said.”

“Given the work on human judgment that he and Amos had just finished, he found it further troubling to think that “crucial decisions are made, today as thousands of years ago, in terms of the intuitive guesses and preferences of a few men in positions of authority.” The failure of decision makers to grapple with the inner workings of their own minds, and their desire to indulge their gut feelings, made it “quite likely that the fate of entire societies may be sealed by a series of avoidable mistakes committed by their leaders.””

This was the book that Michael Lewis had to write. It was the origin story of his best seller ‘Moneyball’. A writer is often compelled to follow his curiosity and tell the stories he finds as he explores the tangents. ‘The Undoing Project’ may not be his best narrative, but it’s his best connection to the reality of the decisions ordinary folk face @work every day.

“I’ve always felt  ideas were a dime a dozen…If you had one that didn’t work out, you should not fight too hard to save it, just go find another.”

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