The Friday Poem ‘The Three Goals’ by David Budbill

We need poets to convert obfuscation into clarity: to communicate, not “confuse, bewilder or stupefy”. The Friday Poem this week, ‘The Three Goals’ by David Budbill does just that.

Author, poet, playwright and musician David Budbill “took a workman’s attitude toward art and despised pretension. Asked about the sources of his inspiration, he said: “It comes from out of nowhere, from my imagination, from the voices I hear, from somewhere. In short, I don’t know where it comes from, and I don’t care.”

The Three Goals

The first goal is to see the thing itself
in and for itself, to see it simply and clearly
for what it is.
No symbolism, please.

The second goal is to see each individual thing
as unified, as one, with all the other
ten thousand things.
In this regard, a little wine helps a lot.

The third goal is to grasp the first and the second goals,
to see the universal and the particular,
simultaneously.
Regarding this one, call me when you get it.

David Budbill   ‘Moment to Moment: Poems of a Mountain Recluse’   2012

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Photo credit: Peter Miller

Are we missing a mentoring moment?

Before we turn into our best imitation of dysfunctional men@work, can we catch a breath and consider that we are on the same side?

Earlier this week a young journalist posted an account of an alleged sexual assault involving a visible Hollywood actor on a women’s news and lifestyle site.

Immediately the lines were drawn. Apparently those lines categorize ‘second wave feminists’ vs. the emerging ‘fourth wave feminists’. (My hair is hurting just writing this.)

Bottom line, both men and women are concerned that the momentum of #MeToo and #TimesUp will collapse with a published fictional account of workplace harassment.

It may happen, someone will fabricate, and when they do, we’ll deal with it. But we’re not there.

Again. We’re on the same side. Each of us has a role to play in this; as a leader or a participant in achieving the goals of workplace equity and safety.

This morning I viewed video and print accounts of an escalation in a divisive argument between a cable news anchor and the author of the original sexual assault story.

My question: Are we missing a mentoring moment here?

If an experienced professional in any field recognizes the potential of the office ‘newbie’, it’s their responsibility to guide, support and challenge that individual to ensure they have the resources to contribute. And when they go ‘off script’, engage in a constructive conversation.

I believe the 22 year-old online writer has received more unsolicited feedback this week than ever before in her career. Many influential ‘second wave feminists’ have been both supportive and critical. Although painful, what an amazing moment in a career when your work gets this level of attention.

How does this scenario end?

Time for the mentors to step up and for the ‘newbie’ to listen. If it were me, I would make the call and invite the new kid on the block to lunch. And if I was the newcomer, I would put on my listening ears, soak up all the wisdom of the ‘second wave feminists’ and become the best voice I could be for ‘fourth wave feminism’.

We’re on the same side. This has to end well.

The week@work: smart people, perfectionists & the future of work

Have you ever worked for a person who’s an expert in one field and automatically believes that expertise extends to all other areas of competence? You know, the person who’s constantly reminding you where they went to college?

This past week@work, the first of the new year, stories ranged from the definition of genius, to a new study on millennials and perfectionism, and an analysis of the ‘real’ future of work.

James Fallows shared his experience with ‘How Actual Smart People Talk About Themselves’. The article was inspired by a series of tweets, but the message is one all of us can translate to our behavior@work.

“Here are three traits I would report from a long trail of meeting and interviewing people who by any reckoning are very intelligent.

They all know it. A lifetime of quietly comparing their ease in handling intellectual challenges—at the chess board, in the classroom, in the debating or writing arena—with the efforts of other people gave them the message.

Virtually none of them (need to) say it.

They know what they don’t know. This to me is the most consistent marker of real intelligence. The more acute someone’s ability to perceive and assess, the more likely that person is to recognize his or her limits. These include the unevenness of any one person’s talents; the specific areas of weakness—social awkwardness, musical tin ear, being stronger with numbers than with words, or vice versa; and the incomparable vastness of what any individual person can never know. To read books seriously is to be staggered by the knowledge of how many more books will remain beyond your ken. It’s like looking up at the star-filled sky.”

“The clearest mark of intelligence, even “genius,” is awareness of one’s limits and ignorance.”

One of those ‘smart people’, who traveled across the star-filled sky, Astronaut John Young, died this past week at the age of 87.

john-young-astronaut.jpg“Mr. Young joined NASA in the early years of manned spaceflight and was still flying, at age 53, in the era of space shuttles. He was the only astronaut to fly in the Gemini, Apollo and shuttle programs. He was also chief of NASA’s astronauts office for 13 years and a leading executive at the Johnson Space Center in Houston.

When he was honored by the Smithsonian’s Air and Space Museum upon retiring from NASA in December 2004, after 42 years with the agency, Mr. Young played down his accomplishments. “Anybody could have done it,’’ he told The Orlando Sentinel. “You’ve just got to hang in there.”

I imagine being an astronaut requires a certain level of detail – being precise vs. being perfect. Kimberly Truong reports on a concerning trend for our workplace future, ‘Yes, Millennials Really Do Struggle With Perfectionism More’.

“According to a new study released in the journal Psychological Bulletin, millennials are more likely than previous generations to put pressure on ourselves — and others — to be perfect, possibly to the detriment of our mental health.

In every phase of our lives, we’re actively being encouraged and rewarded for striving towards perfection, whether that means getting high enough S.A.T. scores or racking up a certain number of Instagram likes or followers. Millennials, it seems, have more metrics to measure success — and therefore failure — than their parents.

Of course, there’s no such thing as “perfect,” which means it’s nearly impossible to strive for perfection and feel anything but disappointment and self-doubt. The question is: Can millennials step out of this vicious cycle?”

The last article of this first week of 2018 is Danny Vinik‘s analysis of ‘The Real Future of Work’.

“Over the past two decades, the U.S. labor market has undergone a quiet transformation, as companies increasingly forgo full-time employees and fill positions with independent contractors, on-call workers or temps—what economists have called “alternative work arrangements” or the “contingent workforce.” Most Americans still work in traditional jobs, but these new arrangements are growing—and the pace appears to be picking up. From 2005 to 2015, according to the best available estimate, the number of people in alternative work arrangements grew by 9 million and now represents roughly 16 percent of all U.S. workers, while the number of traditional employees declined by 400,000. A perhaps more striking way to put it is that during those 10 years, all net job growth in the American economy has been in contingent jobs.

IMG_9942.jpgThe repercussions go far beyond the wages and hours of individuals. In America, more than any other developed country, jobs are the basis for a whole suite of social guarantees meant to ensure a stable life. Workplace protections like the minimum wage and overtime, as well as key benefits like health insurance and pensions, are built on the basic assumption of a full-time job with an employer. As that relationship crumbles, millions of hardworking Americans find themselves ejected from that implicit pact. For many employees, their new status as “independent contractor” gives them no guarantee of earning the minimum wage or health insurance.”

Maybe unemployment statistics from the Labor Department aren’t the right metric to view our economy. The December report, out last Friday, showed an increase of 148,000 jobs in the final month of 2017. “Elise Gould, senior economist at the Economic Policy Institute, argues that ten years after the Great Recession, the economy has still not returned to 2007 benchmarks or the healthier levels of economic indicators in 2000.”

 

 

Photo credit: The Telegraph

The Year@Work: 2017

The workplace took center stage in the global news of 2017. This was the year of the journalist, women@work, side-hustles and maintaining focus. It was also the year that we, as a society questioned expertise.

Two quotes summed up 2017 for me:

“I want one day without a CNN alert that scares the hell out of me”
Cecily Strong  (2/12 SNL skit )

“How do we measure ‘fulfillment’ in work, and where do we find it when the traditional channels have given way to a round-the-clock hustle?”
Meghan Daum (9/15 NYT Book Review)

It was a year of constant distraction, disruption and fake news. The workplace became a refuge, and activism an essential ‘after hours’ pursuit. Low unemployment rates held, while wages stagnated. The income inequality gap widened.

An overheard conversation on the street this week: “I haven’t had a day off since September 1, with the three jobs I’ve been juggling.” This is the new American workplace.

The year@work was the year of the journalist. Although many were bullied and threatened, the coverage of workplace issues was stellar. For this year in review, I recommend some of the best writing of the year, suggest a book from the new genre ‘UpLit’ and share a few random thoughts.

IMG_8149.jpgWomen@work
On a cool Saturday morning in January we headed downtown to join a protest march. The plan had been to park the car and take the light rail. There were no parking spaces. There are always parking spaces. Something was different.

What was different was this wasn’t a march, it was a ‘standing in place’ because there were too many people and nowhere to go. In downtown LA the crowd was a mosaic of SoCal demographics. It wasn’t a ‘woman’s march’, it was a ‘families march’ in support of women. I think that may be the one thing the press missed this year.

IMG_8191.jpgAt the time many were skeptical.  The Los Angeles Times reported: “New protest era may be emerging, but sustaining unity could prove difficult.”

Yes, it has been difficult, but subsequent elections on local, state and federal levels demonstrated an ongoing commitment to civic engagement. The gig economy has a new ‘side-hustle’ and it’s called involvement.

I believe the seeds for #MeToo were planted on January 21, 2017.

Workplace Harassment

On February 19, former Uber employee, Susan Fowler posted a blog about her experience as a software engineer. “It’s a strange, fascinating, and slightly horrifying story that deserves to be told while it is still fresh in my mind, so here we go…”

On December 11, Ms. Fowler was named the Financial Times’ Person of the Year.
“Women have been speaking up for many, many years, but were very rarely believed, and there were almost never any real consequences for offenders,” Ms Fowler told the Financial Times. “This year, that completely changed.”

Two other stories of note broadened the narrative of women@work in Silicon Valley:
‘The Ellen Pao Effect Is What Happens After Lean In’Jessi Hempel for Wired, September 20, 2017
‘Why is Silicon Valley So Awful to Women?’Liza Mundy for The Atlantic, April 2017

fearless girl.jpgOn October 5 the first major story on workplace harassment in Hollywood was reported in The New York Times.  Since then, some of the best journalists have both reported and reflected on the relationship between men, power and women@work.

Here’s a sampling of the best:
‘Harvey Weinstein Paid Off Sexual Harassment Accusers for Decades’Jodi Kantor and Megan Twohey for The New York Times, October 5, 2017
‘From Aggressive Overtures to Sexual Assault: Harvey Weinstein’s Accusers Tell Their Stories’Ronan Farrow for The New Yorker, October 10, 2017
‘Your Reckoning and Mine’Rebecca Traister for The Cut, November 12, 2017
‘The Cost of Devaluing Women’Sallie Krawcheck for The New York Times, December 2, 2017

rose reading room.jpgThe questioning of expertise

At work, you know the value of the expertise you bring to your organization. You may be a generalist, a specialist or a combination. You bear the scars and carry the laurels of hard won achievement, and you are compensated for your talent. Colleagues ‘pick your brain’ to complement their own skill set. Customers rely on your advice.

That’s why ‘How America Lost Faith in Expertise’ by Tom Nichols is required reading.

“I fear we are moving beyond a natural skepticism regarding expert claims to the death of the ideal of expertise itself: a Google-fueled, Wikipedia-based, blog-sodden collapse of any division between professionals and laypeople, teachers and students, knowers and wonderers — in other words, between those with achievement in an area and those with none.

A modern society cannot function without a social division of labor. No one is an expert on everything. We prosper because we specialize, developing formal and informal mechanisms and practices that allow us to trust one another in those specializations and gain the collective benefit of our individual expertise…The relationship between expert and citizens rests on a foundation of mutual respect and trust.”

IMG_8367.jpgThe gig/side-hustle career

The world of work has changed. We’re not going to time-travel back to a magical place where work fit neatly into single employer; 9-5, five-day a week increments. Whatever you choose to label the current paradigm, it’s a patchwork of assignments, for a variety of employers: some resulting in valuable skill development and others providing the means to an end. And it’s exhausting.

Jia Tolentino examined the consequences of our new work/life for the New Yorker.
‘The Gig Economy Celebrates Working Yourself to Death’ March 22, 2017. “It does require a fairly dystopian strain of doublethink for a company to celebrate how hard and how constantly its employees must work to make a living, given that these companies are themselves setting the terms. And yet this type of faux-inspirational tale has been appearing more lately, both in corporate advertising and in the news.

“There’s a painful distance between the chipper narratives surrounding labor and success in America and the lived experience of workers.”

IMG_9786.jpgUp lit: A new genre emerges in publishing

In the September article for the NYT Book Review, Meghan Daum reviewed three memoirs.“I’ve always believed some of the best material comes from the workplace…it’s the job site, the place where our skills are honed and our labors converted to currency, that truly defines not just our proficiencies but our element.”

I would agree.

Danuta Kean reported for the Guardian: ‘Up lit: The new book trend with kindness at its core’ “A bruising year dominated by political and economic uncertainty, terrorism and tragedy has, publishers say, kickstarted a new trend they have have branded “up lit”…bookbuyers are seeking out novels and nonfiction that is optimistic rather than feelgood.”

One of her favorites was also mine. ‘Eleanor Oliphant is Completely Fine’ by Gail Honeyman, a perfect example of how fiction can outdistance non-fiction when it comes to our relationship to work and our colleagues.

IMG_9162.jpgIt begins: “When people ask me what I do – taxi drivers, hairdressers – I tell them I work in an office. In almost nine years, no one’s ever asked what kind of office, or what sort of job I do there. I can’t decide whether that’s because I fit perfectly with their idea of what an office worker looks like, or whether people hear the phrase work ‘in an office’ and automatically fill in the blanks themselves – lady doing photocopying, man tapping at a keyboard. I’m not complaining, I’m delighted that I don’t have to get into the fascinating intricacies of accounts receivable with them.”

One other recommendation, looking at work from a different life cycle perspective:
‘Lillian Boxfish Takes A Walk’ by Kathleen Rooney.

“Now I don’t work anymore, and the world is uncomfortable.”

The world is uncomfortable, for many reasons. As 2017 merges into 2018 the question remains for all @work: How will we find fulfillment @work in the new year, amidst a shape-shifting environment where the familiar has been replaced by a round-the-clock hustle?

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The week@work: three questions, a tree, a word, a phrase (and a rabbit)

It’s almost over. A year of continual brain-numbing ‘breaking news’ and distraction. This week@work the focus is on communication and understanding. A teacher posed three important questions to her students, two journalists tracked the odyssey of a balsam fir tree, Merriam-Webster and Oxford dictionaries selected the word of the year and we found the origin of  the phrase ‘glass ceiling’. (And there’s a rabbit.)

The New York Times investigative journalist and author Jodi Kantor‘s work breaking the Harvey Weinstein story demonstrated the value of solid reporting in a time of fake news. But it was her tweet last week that caught my attention.

These are “excellent questions” to ask when evaluating a news story. They can also be added or modified to our repertoire@work. Questions@work are essential, as Academy Award winning producer Brian Grazer noted in his 2015 book, ‘A Curious Mind: The Secret to a Bigger Life’.

“If you’re the boss, and you manage by asking questions, you’re laying the foundation for the culture of your company or group. 

You’re letting people know that the boss is willing to listen. This isn’t about being “warm” or “friendly”. It’s about understanding how complicated the modern business world is, how indispensable diversity of perspective is, and how hard creative work is.”

And now, a holiday story: the modern tale of a tree, a farmer, a trucker, a lot owner and a customer.

The American Christmas Tree Association reported “More that 94 million American households, or 79 percent of all households, will display a Christmas tree in their home this holiday season…This represents a slight increase overall in the number of households displaying a Christmas tree this year compared to last year. Of those trees, 80 percent will be artificial trees and 20 percent will be real.”

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In ‘1,000 miles. Five Days. Four Familes. One Tree.’, journalists Tiffany Hsu and Roger Kisby followed the supply chain of a single ‘real’ balsam fir from a Nova Scotia farm to a living room in Queens.

“In Lunenburg County, a chunk of Nova Scotia pockmarked by lakes and patches of balsam firs, Silver’s Farm hugs a hill with 45 acres of farmland splayed out in front and 150 acres of Christmas trees behind, all growing naturally and tightly “like the hairs on a dog’s back,” said Wayne Silver.

His operation is small, felling just 3,000 trees a season. Some Nova Scotia farms cut down tens of thousands of trees annually and even ship some overseas.

Mr. Silver took over the farm in 1991 from his father, who took it over from his father, who began cutting Christmas trees in the 1930s. Trees “are in my blood,” he said.

Help is scarce. In a tight labor market with low unemployment, many other tree farmers are hiring migrants from Mexico and Jamaica. Mr. Silver will likely follow suit next year.

“I just work too many long hours,” he said.”

This ‘must read’ multi-media gem captures the changing world of work in North America for farmers, truckers, small business owners and customers.

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It’s that time of year when those @work in the cataloging of words announce their ‘word of the year’. The Oxford Dictionaries chose “the noun, youthquake, defined as ‘a significant cultural, political, or social change arising from the actions or influence of young people’.”

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“Merriam-Webster’s Word of the Year for 2017 is feminism. The word was a top lookup throughout the year, with several spikes that corresponded to various news reports and events. The general rise in lookups tells us that many people are interested in this word; specific spikes give us insight into some of the reasons why.”

And while we’re on the topic, did you ever wonder where the phrase ‘glass ceiling’ originated? This past week, the BBC interviewed management consultant Marilyn Loden who coined the phrase almost 40 years ago.

“I first used the phrase “glass ceiling” in 1978 during a panel discussion about women’s aspirations. As I listened, I noted how the (female) panellists focused on the deficiencies in women’s socialisation, the self-deprecating ways in which women behaved, and the poor self-image that many women allegedly carried.

It was a struggle to sit quietly and listen to the criticisms.

True, women did seem unable to climb the career ladder beyond the lowest rung of middle management, but I argued that the “invisible glass ceiling” – the barriers to advancement that were cultural not personal – was doing the bulk of the damage to women’s career aspirations and opportunities.

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On 24 May 2018, the “glass ceiling” will be 40 years old.

What has changed for working women in that time? The sheer number of female managers has increased dramatically across most industries and yet the metaphor continues to symbolise an enduring barrier to gender equality – one that has been normalised in many organisations where there is now a sense of complacency about the lack of women at the top.”

One last story this week@work: ‘Harvey Is A Great Holiday Movie’ by Jennifer Finney Boylan
“…if the holiday season means anything at all, it’s about believing in things that we cannot actually see. That virtues as shopworn as faith, hope and love can abide, even if others think you’re a crazy person for believing in them. That those we have lost — parents, friends, even our own younger selves — can live on, in us. That there really are spirits that can make us more than ourselves, that can turn our perilous, fallen lives into something sacred.”

 

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The mysteries of networking #6

Does networking really take place in a galaxy far, far away? I think that’s the way some of us approach it – a great excuse for not engaging in the process. And then, there’s the whole ‘mentoring thing’ – Do I need one? How do I find one? Then what do I do?

It’s pretty simple. It’s hard work. Actually, once you start the work doesn’t end. You just need to recalculate the equation. It’s not a chore, it’s an amazing, fun exploration. And you can start today, with the folks in a college classroom, colleagues at work, members of your book club or athletic training group.

“There’s a Chinese saying: “Explore what’s best in the others and follow.” Among my friends, I always learn the best from them.”  Lee Shau Kee

Think about that. “Explore the best in others and follow.” Who are the ‘best’ in your world or the one you want to join? What are the qualities/values that align to win your vote as best@what they do? If you could have a few minutes with them, what would you ask?

The ‘networking’ thing is the exploration. Think about how you might go about planning for a hike, or travel. Why are you going? What do you hope to find? What research have you conducted to prepare? And, you’re planning to have fun, right?

Apply the same process to networking. “Explore the best in others…”

“…and follow.” Once you have started a conversation, it’s time to examine the next layer of career success. What has been the path to success? What were the failures, trade-offs, and recovery? How many detours came along the way? What do they look for in folks they hire?

Ask questions unique to your career aspirations. Your goal is to spark a longer conversation, one that may lead to a continuing professional relationship – a mentor.

“Among my friends, I always learn the best from them.”

 

 

 

You can’t go home again – keeping a journal to tell your story

“If you don’t turn your life into a story, you just become a part of someone else’s story.”             Terry Pratchett*

How do you turn your life into a story? A timeline of your social media posts might provide a hint to your narrative’s trajectory, but the best way is to begin recording what’s happening in your life on a daily basis; on paper, in a journal.

One of the best jobs I ever had was leading a freshman seminar, ‘You Can’t Go Home Again, Now What?’. At the beginning of the fall semester I gave each first year student a blank Moleskine notebook.  The direction was simple – “record your observations of people and place… keep your memories the old fashioned way – on paper. This is your personal space for your personal thoughts.”

Keeping a journal is way to establish a routine in a new environment and at the same time reflect on the unique experience of joining a new community. It’s a practice where you take ownership of your story.

“When  you leave college, there are thousands of people out there with the same degree you have; when you get a job, there will be thousands of people doing what you want to do for a living.

But you are the only person alive who has sole custody of your life. Your particular life. Your entire life. Not just your life at a desk, or your life on the bus, or in the car, or at the computer. Not just the life of your mind, but the life of your heart. Not just your bank account, but your soul.”
Anna Quindlen**

College is just one catalyst to begin the process of recording  and reflecting. The ‘Back to School’ aisles in your local Target are full of notebooks in every imaginable shape and size, just waiting to capture your creativity.

Why a notebook and not an online journal? It’s important to disconnect and avoid distraction when you’re talking to yourself about your day. And then there’s the apocalyptic view: when we are all off the grid, we’ll still have our journals.

When we scribble a few words, we are compiling a record that simply makes sense of the day. And on those days when things have not worked out as planned, it’s the perfect place to vent, in the privacy of the lined (or unlined) page.

What happened to all those first year students and their Moleskine journals? I think some may still be in a storage bin, blank. But for many, they contain the treasure of a story of transition and change, a template for continuous, lifelong learning.

String a few years of journal entries together and you begin to see career patterns emerge: choices, consequences and course corrections.

Your journal is your story. There are no rules. You’re writing your story in real time. Don’t edit, but do read what you write.

Take care of the life of your mind while paying attention to the life of your heart.

*Terry Pratchett   ‘The Amazing Maurice and His Educated Rodents’ 2001
**Anna Quindlen   ‘A Short Guide to a Happy Life’ 2000

 

The Friday Poem ‘The Way It Is’ by William Stafford

“There’s a thread you follow.” opens this week’s Friday Poem, ‘The Way It Is’, from poet, writer, and photographer William Stafford.

As a conscientious objector during the second World War, Stafford worked in civilian public service camps for the U.S. Forest Service in Arkansas and California. In 1948 he moved to Oregon to teach at Lewis and Clark College.

In 1963 he was selected to receive the National Book Award from a group of nominees including William Carlos Williams and Robert Frost. He served as Consultant in Poetry to the Library of Congress in 1970, a position that today carries the title of Poet Laureate.

In addition to his 65 volumes of poetry and prose, he left a collection of 16,000 photographic negatives to the archive at Lewis and Clark College. In a 2014 interview for Oregon Public Broadcasting, his son, Kim Stafford commented on his father’s discomfort with the spotlight. “When he became famous, the camera allowed him to leave the center of the circle and document the other writers.”

His lifetime spanned decades of dramatic change, and yet he stayed true to his values. His accomplishments and awards did not distract. “…You don’t ever let go of the thread”.

The Way It Is

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.

William Stafford   ‘The Way It Is’   Graywolf Press, 1999

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Photo credit: Kim Stafford

The week@work: Finding Amelia Earhart, Amy Pascal’s pivot, a ‘netflix’ of education and why you need a study plan

For a holiday week, there was a significant assortment of ideas and stories beyond the headlines. The History Channel broadcast the results of an investigation into the disappearance of Amelia Earhart, sparked by the discovery of a photo misfiled in the National Archives. One of Hollywood’s most powerful executives, Amy Pascal, reemerged as the producer behind the latest summer blockbuster and a career lesson for all. On the practical application of ideas to workplace; two articles explored the value of designing an organizational culture of learning and developing an individual study plan  as a catalyst for creativity.

At a time when there were few role models for women, aviatrix Amelia Earhart captured the imagination as she embarked on her first solo flight of the Atlantic, and later when she attempted to fly around the world in a twin engine Lockheed Electra. On July 2, 1937 she left Lae, New Guinea with her navigator Fred Noonan following a flight plan to Howland Island. They never reached their destination, fueling 80 years of theories and investigations, the most recent citing a photo found in the National Archives.

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According to the research conducted for the History Channel, Ms. Earhart and Mr. Noonan were captured by the Japanese and later taken to a prison on Saipan. The authenticated photo shows a man and woman with similar physical characteristics of the missing duo. To be continued…

Before the hack of the Democratic National Committee, there was the Sony Studios hack. The studio head at the time was Amy Pascal and the details of emails subsequently made public resulted in her termination. She’s back…Brooks Barnes reported on her career transition for The New York Times.

“Ms. Pascal, a 59-year-old woman in an industry rife with sexism and ageism, seems to have emerged stronger and happier, having reinvented herself as a producer through her company, Pascal Pictures. She will deliver three films to three different studios this year, with more than a dozen more movies on the assembly line. On a personal level, after a lot of soul-searching, some in a therapist’s office, she has tried to see the hack as freeing. After all, she has no more secrets.”

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How does the downfall of a powerful studio head relate to the rest of us? Chances are, in a career lifetime, you will get fired. Take note of Ms. Pascal’s evolution.

“I will always carry what happened with me,” she said. “There’s no other way. But you scrape as much grace as you possibly can off the ground and you move forward.”

Moving forward is the theme of the next two stories this week@work.

Karl Mehta and Rob Harles suggest ‘In the knowledge economy, we need a Netflix of education’.

“The problem is that we are drowning in content — but are starving for knowledge and insights that can help us truly be more productive, collaborative and innovative.”

“The solution for the learning and development industry would be a platform that can make education more accessible and relevant — something that allows us to absorb and spread knowledge seamlessly. Just as Netflix delivers entertainment we want at our fingertips, the knowledge and learning we need should be delivered where and when we need it.”

Their proposal analyzes the hurdles, and envisions “the democratization of knowledge” where employers provide “employees the skills and knowledge to thrive, which would have previously been time-consuming or impossible to obtain.”

While we wait for employers to create the learning culture utopia, how do we fuel our individual radical curiosity?

Todd Henry reiterated the importance of stimuli to creativity with ‘Why you should have a study plan (and how to make one)’.

“…most of the incredibly successful people I encounter in the marketplace have some form of study plan that they follow in order to help them spot patterns in their business, anticipate client needs, and simply spark new ideas and new categories of thought.”

He offers three steps to get started: “Dedicate a regular time for study. Study broadly and deeply. After you read, reflect.”

As we begin another week@work, #MondayMotivation – a quote from writer Maxine Hong Kingston: “In a time of destruction, create something.”

 

 

The Saturday Read ‘The Prophet of Dystopia’ by Rebecca Mead

What if you had reached the “Gold Watch and Goodbye” phase of your career only to be catapulted back into the spotlight by current events?

That seems to be what’s happening to Canadian author Margaret Atwood as her ‘new’ literary sensation, ‘The Handmaid’s Tale’, originally published in 1985, leads the literary fiction category on Amazon and is number ten on The New York Times Paperback Trade Fiction list. A film version of the book will begin streaming on Hulu next week. And earlier this week Ms. Atwood was included in the list of  Time Magazine’s 100 Most Influential People.

The Saturday Read is Rebecca Mead‘s multi-dimensional profile ‘The Prophet of Dystopia’.

The ‘Gold Watch and Goodbye’ career reference is evident as Ms. Mead brings us along on a March evening when Ms. Atwood received the National Book Critics Circle lifetime-achievement award. In her closing remarks the author asked, “Why do I only get one lifetime? Where did this lifetime go?”

The profile offers a panoramic view of this one lifetime; from one writers beginnings to mentor and evangelist for new writers.

“Atwood was born in Ottawa, but she spent formative stretches of her early years in the wilderness—first in northern Quebec, and then north of Lake Superior. Her father, Carl Atwood, was an entomologist, and, until Atwood was almost out of elementary school, the family passed all but the coldest months in virtually complete isolation at insect-research stations; at one point, they lived in a log cabin that her father had helped construct.”

In college she switched majors from philosophy to literature. She challenged the traditional canons of British and American literature with an argument for Canadian literature and its dominant theme of survival.

“Our stories are likely to be tales not of those who made it but of those who made it back from the awful experience—the North, the snowstorm, the sinking ship—that killed everyone else.”

She was an established writer before “the sometimes divisive years of second-wave feminism” and wrote an essay giving voice to colleagues.

“It’s not finally all that comforting to have a phalanx of women . . . come breezing up now to tell them they were right all along,” she wrote. “It’s like being judged innocent after you’ve been hanged: the satisfaction, if any, is grim.”

“Her feminism assumes women’s rights to be human rights, and is born of having been raised with a presumption of absolute equality between the sexes…

Atwood’s early years in the forest endowed her with a sense of self-determination, and with a critical distance on codes of femininity—an ability to see those codes as cultural practices worthy of investigation, not as necessary conditions to be accepted unthinkingly. This capacity for quizzical scrutiny underlies much of her fiction: not accepting the world as it is permits Atwood to imagine the world as it might be.”

It’s the fearless questioning that has resonated over time and reintroduced readers to the classic ‘The Handmaid’s Tale’ this spring.

Rebecca Mead’s profile of the thoroughly modern, septuagenarian writer is required reading as a companion to the novel.

“In a photograph taken the day after the Inauguration, at the Women’s March on Washington, a protester held a sign bearing a slogan that spoke to the moment: “make margaret atwood fiction again.”

 

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@latimesfob this weekend:

The Handmaid’s Tale from Page to Screen: Margaret Atwood & Bruce Miller in Conversation with Mary McNamara, Conversation 2063 Sunday, April 23 @2:30PM in Bovard Auditorium on the University of Southern California campus