The Friday Poem ‘After Work’ by John Maloney

It’s Friday and the poem selected to start off this weekend is ‘After Work’ by stonemason and poet John Maloney.

There’s a line of demarcation, even in the 24/7 workplace, where we cross over from the identity we carry @work to perhaps the more authentic persona of how we see ourselves. It’s that transition space in a car stuck in LA on the 405, hanging tight on the subway in NYC or driving a pickup on the backroads of Tennessee. “No one can take away the contentment of the first few miles.”

After Work

They’re heading home with their lights on, dust and wood glue,
yellow dome lights on their metallic long beds: 250s, 2500s—
as much overtime as you want, deadline, dotted line, dazed
through the last few hours, dried primer on their knuckles,
sawdust calf-high on their jeans, scraped boots, the rough
plumbing and electric in, way ahead of the game except for
the check, such a clutter of cans and iced-tea bottles, napkins,
coffee cups, paper plates on the front seat floor with cords
and saws, tired above the eyes, back of the beyond, thirsty.
There’s a parade of them through the two-lane highways,
proudest on their way home, the first turn out of the jobsite,
the first song with the belt off, pure breath of being alone
for now, for now the insight of a full and answerable man.
No one can take away the contentment of the first few miles
and they know they can’t describe it, the black and purple sky.

The Friday Poem ‘The Benefits of Ignorance’ by Hal Sirowitz

Sometimes the Friday Poem is the perfect exclamation point for our times. This week’s selection is ‘The Benefits of Ignorance’ by poet Hal Sirowitz.

“If you’re not getting the benefits that most people get from acting stupid…”

The Benefits of Ignorance

If ignorance is bliss, Father said,
shouldn’t you be looking blissful?
You should check to see if you have
the right kind of ignorance. If you’re
not getting the benefits that most people
get from acting stupid, then you should
go back to being what you always were –
being too smart for your own good.

Hal Sirowitz  ‘Father Said: Poems’ 2004





A new definition of success for the ‘gig economy’

How do we find meaning@work, when work is a 24/7 hustle? An article in the March/April issue of the Harvard Business Review offers some answers. ‘Thriving in a Gig Economy’ builds on research published by McKinsey in October, adding results of interviews with 65 gig workers.

As more folks opt for independence@work, new models emerge beyond the stereotype of ride-hailing service employee. The McKinsey survey of 8,000 respondents across Europe and the US found “up to 162 million people in Europe and the United States—or 20 to 30 percent of the working-age population—engage in some form of independent work.” This is no longer a trend, but a significant employment sector, attracting new members daily out of choice or necessity.

Authors of the HBR article: Gianpiero Petriglieri, Susan J. Ashford and Amy Wrzesniewski discovered commonalities among those who chose the ‘gig life’.

“We found remarkably similar sentiments across generations and occupations: All those we studied acknowledged that they felt a host of personal, social, and economic anxieties without the cover and support of a traditional employer—but they also claimed that their independence was a choice and that they would not give up the benefits that came with it. Although they worried about unpredictable schedules and finances, they also felt they had mustered more courage and were leading richer lives than their corporate counterparts.”

Ownership is the shared value of gig workers, productivity the measurement, uncertainty the trade-off, and work identity – it’s continually evolving.

“…the price of such freedom is a precariousness that seems not to subside over time. Even the most successful, well-established people we interviewed still worry about money and reputation and sometimes feel that their identity is at stake.”

What does success look like in this new workplace?

“Our conclusion is that people in the gig economy must pursue a different kind of success—one that comes from finding a balance between predictability and possibility, between viability (the promise of continued work) and vitality (feeling present, authentic, and alive in one’s work). Those we interviewed do so by building holding environments around place, routines, purpose, and people, which help them sustain productivity, endure their anxieties, and even turn those feelings into sources of creativity and growth. “There’s a sense of confidence that comes from a career as a self-employed person,” one consultant told us. “You can feel that no matter how bad it gets, I can overcome this. I can change it. I can operate more from a place of choice as opposed to a place of need.”






The Saturday Read ‘Sourdough’ by Robin Sloan

Before the migration of the nerds, San Francisco was famous for its’ bread, sourdough bread, dating back to the time of the gold rush. Food and a magical ‘sourdough starter’ serves as the career catalyst for Lois Clary, software programmer and heroine in The Saturday Read this week: ‘Sourdough’ by Robin Sloan. 

This is a novel about work; how we find it and what we become. It’s the story of ‘career’ in the twenty-first century when success in Silicon Valley is defined by levels of exhaustion and the unexpected ‘side hustle’ offers a promise of something better.

Lois is working at Crowley Control Systems in Michigan when she is recruited from her “stubby LinkedIn profile”.

“Here’s a thing I believe about people my age: we are children of Hogwarts, and more than anything, we just want to be sorted.”

And so it begins, as a cautionary tale for those who transfer ownership of career choice to the great algorithm in the sky, relocate to an alternate universe and join the tribe of the “Dextrous’ (employees of robotic firm, General Dexterity).

“We are on a mission to remake the conditions of human labor, so push harder, all of you.”

“In the months that followed, I had the sense of some vital resource dwindling, and I tried to ignore it. My colleagues had been toiling at this pace for three years without a pause, and I was already flagging after a single San Francisco summer? I was supposed to be one of the fresh-faced ones.
My face was not fresh.
My hair had gone flat and thin.
My stomach hurt.
In my apartment on Cabrillo Street. I existed mostly in a state of catatonic recovery, brain flaccid, cells gasping. My parents were far away, locked in the frame of a video chat window. I didn’t have any friends in San Francisco aside from a handful of Dextrous, but they were just as traumatized as I was. My apartment was small and dark, and I paid too much for it, and the internet was slow.”

Sound familiar? Can you imagine a call for take-out might transform your life? Did you know there was a Lois Club? For Lois Clary, these human connections are career turning points.

“I needed a more interesting life.
I could start be learning something.
I could start with the starter.”

We follow Lois on her adventures ‘underground’ at the ‘Marrow Fair’, interacting with a diverse group of artisans, connecting the dots of technology and food, robots and recipes.

“At General Dexterity, I was contributing to an effort to make repetitive labor obsolete. After a trainer in the Task Acquisition Center taught an arm how to do something, the arms did it perfectly, forever. In other words, you solved a problem once, and then you moved on to more interesting things. Baking by contrast, was solving the same problem over and over again, I mean, really: chewed and digested. Thus, the problem was perhaps the point.”

The lesson for the rest of us? Get out there, build relationships, get a more interesting life, solve problems, like your work. (You don’t need a career guide, just a great novel – Sourdough)

Innovation and invention are everywhere.









The Friday Poem ‘For My Daughter in Reply to a Question’ by David Ignatow

I was looking for a poem to capture both the sorrow and optimism in the aftermath of the school shooting at Marjory Stoneman Douglas High. There’s not a ‘perfect’ poem, but there are these words from poet David Ignatow, published 50 years ago.  Described as ”a poet of the community, of people who work for a living”, the Friday Poem this week is his, “For My Daughter in Reply to a Question’.

“We will not be forgotten and passed over
and buried under the births and deaths to come.”

For My Daughter in Reply to a Question

We’re not going to die,
we’ll find a way.
We’ll breathe deeply
and eat carefully.
We’ll think always on life.
There’ll be no fading for you or for me.
We’ll be the first
and we’ll not laugh at ourselves ever
and your children will be my grandchildren.
Nothing will have changed
except by addition.
There’ll never be another as you
and never another as I.
No one ever will confuse you
nor confuse me with another.
We will not be forgotten and passed over
and buried under the births and deaths to come.

David Ignatow   ‘Rescue the Dead’ 1968 & ‘Against the Evidence: Selected Poems 1934 – 1994’  1994

david ignatow.jpg

Photo credit: Poetry Foundation

The week@work – @AMarch4OurLives, Evolve Entertainment Fund, ‘Wonder Boys’, Facebook & “always a little further”

It happened again this week@work: violence@work – another school shooting, this time in Florida. In Los Angeles a new entertainment industry diversity initiative was announced by Ava DuVernay and Mayor Eric Garcetti. And three ‘long reads’ on creative partnerships, Facebook’s identity, and a polar journey.

The students at Marjory Stoneman Douglas high school are grieving for their colleagues and teachers who were murdered in another incident of workplace violence on Valentines Day. Since Wednesday, a remarkable group of student representatives have  given voice to the anger at adults who have failed to keep students safe in their schools. This time, high school students organized @AMarch4OurLives for policy & change vs. thoughts & prayers.

“Every kid in this country now goes to school wondering if this day might be their last. We live in fear.
It doesn’t have to be this way. Change is coming. And it starts now, inspired by and led by the kids who are our hope for the future. Their young voices will be heard.
Stand with us on March 24. Refuse to allow one more needless death.”

It may not be a surprise that this group, from this high school, seized the moment and demanded change. Their school namesake, Marjory Stoneman Douglas, was an author, editor, environmentalist and early advocate for women’s right to vote. gettyimages-112963085-e1518738141248.jpgJournalist Mary Schmich interviewed Ms. Douglas. “She was 95 by the time we met, hard of hearing, almost blind and as opinionated as ever.
I’d gone to visit her because finally, after decades of crusading to save the Everglades from being turned into subdivisions and shopping malls, she’d begun to see the fruits of her labors.
She had battled governments, developers, engineers, sugar cane industrialists and the apathy of normal people. She had pushed so hard and for so long that the state had finally committed to preserving one of the world’s great wetlands. We have her to thank for Everglades National Park.
Had she ever been discouraged, I asked?
“What does it matter if I’ve been discouraged or encouraged over the years?” she said, brusquely. “This thing’s got to be done. It’s not a question of how I feel from moment to moment.”

Inclusion@work in Hollywood
Speaking of thing’s got to be done. Los Angeles Mayor Eric Garcetti, filmmaker Ava DuVernay, and producer Dan Lin announced the creation of the Evolve Entertainment Fund to promote inclusion @work in Hollywood.


Journalist Dave McNary reported on the new initiative. “The Evolve fund is an alliance between the City of Los Angeles, industry leaders in entertainment and digital media, non-profit organizations, and educational institutions. The EEF has already secured 150 paid summer internships for students participating in the Hire LA’s Youth program — partnering with leading entertainment and digital media organizations that include DreamWorks Animation, Ryan Murphy Television, Film Independent, WME, CAA, Kobe Bryant’s Granity Studios, and Anonymous Content.

That number is expected to grow to 250 by the end of 2018, with a goal of 500 placements by 2020.

“As we radically reimagine Hollywood, it is critically important that young people are included in our vision,” said DuVernay, founder of Array Entertainment and EEF co-chair. “Real change happens when we take tangible action — and that means giving young women and people of color opportunities in the industry early on, so they have the chance to shape its future.”

‘Wonder Boys’
The next three articles fall into the category of ‘long reads’. The first, from reporter Laura Jacobs recounts the creative partnership of Leonard Bernstein and Jerome Robbins. In 2018 we celebrate the centennial of both the composer and choreographer.

IMG_0443.jpg“Both these men were about energy—positive, negative, generative—and while they racked up stunning achievements separately, they were elevated when joined. Put them together in collaboration—in masterpieces such as the joyous ballet Fancy Free, the breakaway musical On the Town, and the electrifying experiment West Side Story—and you had an ongoing theatrical Manhattan Project, work kinetically detonated, irreducibly true, and oh so American.

They met in October of 1943, the beginning of what Bernstein would call “the year of miracles.” Bernstein was living in New York City, marking time as the assistant conductor of the New York Philharmonic, and Robbins was in the classical company Ballet Theatre. Both were hungry for the Big Break, but it was hard to see anything on the horizon. Bernstein’s would come a month later, when on November 14 he took the podium at Carnegie Hall—without rehearsal!—and conducted for the ailing Bruno Walter. This kiss of fate allowed him, in one afternoon, to loosen forever Europe’s grip on the conductor’s baton. His debut made the front page of The New York Times, and the skinny kid, soon dubbed the Sinatra of the concert hall, soared to stardom. Two months later his Symphony No. 1, Jeremiah, was premiered.

Robbins had to make his own luck. Though a dazzling mimic and scene-stealer in character roles, he was tired of dancing courtiers and exotics in the corps. He wanted to choreograph ballets that were immediately American. After inundating company management with over-ambitious ideas for ballets, Robbins finally offered up a timely, simple scenario—three wartime sailors on shore leave in Manhattan. Management bit. All he needed was a score, which took him to Bernstein’s studio in Carnegie Hall.”

When Vision and Reality Collide @Facebook
Next, Nicholas Thompson and Fred Vogelstein take the reader ‘Inside The Two Years That Shook Facebook – And The World’

“The stories varied, but most people told the same basic tale: of a company, and a CEO, whose techno-optimism has been crushed as they’ve learned the myriad ways their platform can be used for ill. Of an election that shocked Facebook, even as its fallout put the company under siege. Of a series of external threats, defensive internal calculations, and false starts that delayed Facebook’s reckoning with its impact on global affairs and its users’ minds. And—in the tale’s final chapters—of the company’s earnest attempt to redeem itself.”

“Always a little further…”
On Sunday, January 24, 2016 British polar explorer, Henry Worsley died in hospital in Punta Arenas, Chile. He had been attempting to cross Antarctica on foot, unassisted and unsupported. He had traveled 913 miles since November 13, 2015 and was 30 miles short of his destination.


On Friday, January 22, Henry Worsley called Antarctic Logistics and Explorations to request a rescue.

“When my hero, Ernest Shackleton, stood 97 miles from the South Pole on the morning of Jan. 9, 1909, he said he’d shot his bolt,” the British adventurer Henry Worsley said in the message. “Well, today, I have to inform you with some sadness that I, too, have shot my bolt.”

“My journey is at an end,” Mr. Worsley said. “I have run out of time, physical endurance and a simple sheer inability to slide one ski in front of the other to travel the distance required to reach my goal.”

Writing for The New Yorker, staff writer David Grann takes us on the journey behind the headlines into ‘The White Darkness’.

“Worsley was a retired British Army officer who had served in the Special Air Service, a renowned commando unit. He was also a sculptor, a fierce boxer, a photographer who meticulously documented his travels, a horticulturalist, a collector of rare books and maps and fossils, and an amateur historian who had become a leading authority on Shackleton. On the ice, though, he resembled a beast, hauling and sleeping, hauling and sleeping, as if he were keeping time to some primal rhythm.

Worsley’s journey captivated people around the world, including legions of schoolchildren who were following his progress. Each day, after trekking for several hours and burrowing into his tent, he relayed a short audio broadcast about his experiences. (He performed this bit of modern magic by calling, on his satellite phone, a friend in England, who recorded the dispatch and then posted it on Worsley’s Web site.) His voice, cool and unwavering, enthralled listeners.

By the middle of January, 2016, he had travelled more than eight hundred miles, and virtually every part of him was in agony…”

“Always a little further”—a line from James Elroy Flecker’s 1913 poem “The Golden Journey to Samarkand.” The motto was painted on the front of Worsley’s sled, and he murmured it to himself like a mantra: “Always a little further . . . a little further.”



The Saturday Read ‘Leonardo da Vinci’ by Walter Isaacson

The Saturday Read returns! The first selection of 2018 is the biography, ‘Leonardo da Vinci‘ by Walter Isaacson. This is a life story disguised as an art book translating the fifteenth century wisdom of a genius into the language of our present day innovation canon.

What is it about Leonardo that resonates with us over five hundred years later?

“The fifteenth century of Leonardo and Columbus and Gutenberg was a time of invention, exploration, and the spread of knowledge by new technologies. In short, it was a time like our own. That is why we have so much to learn from Leonardo. His ability to combine art, science, technology, the humanities and imagination remains an enduring recipe for creativity.”

The narrative of the polymath has captivated Isaacson in all his previous work. In ‘da Vinci’ he has found the origin story and he’s the perfect narrator to introduce a twenty-first century audience to the man “who never outgrew his wonder years.”

If you are a person who is intimidated by a 500+ page doorstop of a book, don’t be. Leonardo’s fifteenth century artwork, notebook transcripts, sketches and drawings engage with the text to guide the reader through the history, culture and political upheaval of Milan, Florence, Rome and France.

If you are one of the thousands who have traveled to the Louvre… IMG_5851.jpg

to catch a brief glimpse of the Mona Lisa…mona lisa

this is the backstory. Isaacson devotes a chapter near the end of the book to the portrait, describing Leonardo’s work process. “He began working on it in 1503, when he returned to Florence after serving Cesare Borgia. But he had not finished it when he moved back to Milan in 1506. In fact, he carried it with him, and continued to work on it, throughout his second period in Milan and then during his three years in Rome. He would even take it to France on the final leg of his life journey, adding tiny strokes and light layers through 1517. It would be in his studio there when he died.”

I read the biography over four weeks, one chapter at a time, alternating with other reading. It gave me time to reflect on the multiple aspects of his genius and connect Leonardo’s behavior with what I have read over the years in hundreds of Harvard Business Review articles on the topic of innovation.

My non-fiction book club had selected ‘da Vinci’ as the January choice. The discussion centered on the aspects of math, science and art; each member commenting from their frame of reference. Finally, I added my view through the lens of @workthoughts. This is a book that advocates for the generalist vs. the specialist. In many aspects it’s a career guide. Imagine an extended conversation with a mentor tracing their work/life trajectory.

Isaacson concludes with ‘Learning from Leonardo’, beginning with some familiar basics of twenty-first century theories of creativity. A sampling: “Be curious, relentlessly curious”. “Seek knowledge for its own sake.” “Observe.”Get distracted.” “Avoid silos.” “Take notes, on paper.” “Be open to mystery.” There’s more. Shadowing each of these ‘lessons’ is the story of Leonardo and his exploration of man and nature; his evolution, still tinkering with the Mona Lisa at the time of his death.

‘Leonardo da Vinci’ is your ‘professional development book’ of the year. It will break you out of your ‘career specialization rut’, opening your eyes to the ‘dots’ you didn’t even know you could connect.

If you make one bookstore purchase, continue your life-long learning with this one. “Let your reach exceed your grasp.”

Leonardo’s most important lesson for our times – “Respect facts.” Never stop asking questions.

“Above all, Leonardo’s relentless curiosity and experimentation should remind us of the importance of instilling, in both ourselves and our children, not just received knowledge but a willingness to question it – to be imaginative and, like talented misfits and rebels in any era, to think different.”



The Friday Poem ‘Consolation’ by Wislawa Szymborska

The Friday Poem this week is ‘Consolation’ from Nobel Prize winning poet Wislawa Symborska.

In November, novelist Annie Proulx was recognized with National Book Foundation’s Medal for Distinguished Contribution to American Letters. Her acceptance speech offered hope, “the happy ending still beckons”, and quoted Symborska’s words as proof.

“…somehow the old discredited values and longings persist. We still have tender feelings for such outmoded notions as truth, respect for others, personal honor, justice, equitable sharing. We still hope for a happy ending. We still believe that we can save ourselves and our damaged earth — an indescribably difficult task as we discover that the web of life is far more mysteriously complex than we thought and subtly entangled with factors we cannot even recognize. But we keep on trying, because there’s nothing else to do.

The happy ending still beckons, and it is in hope of grasping it that we go on. The poet Wisława Szymborska caught the writer’s dilemma of choosing between hard realities and the longing for the happy ending. She called it “Consolation.”


They say he read novels to relax,
But only certain kinds:
nothing that ended unhappily.
If anything like that turned up,
enraged, he flung the book into the fire.

True or not,
I’m ready to believe it.

Scanning in his mind so many times and places,
he’d had enough of dying species,
the triumphs of the strong over the weak,
the endless struggles to survive,
all doomed sooner or later.
He’d earned the right to happy endings,
at least in fiction
with its diminutions.

Hence the indispensable
silver lining,
the lovers reunited, the families reconciled,
the doubts dispelled, fidelity rewarded,
fortunes regained, treasures uncovered,
stiff-necked neighbors mending their ways,
good names restored, greed daunted,
old maids married off to worthy parsons,
troublemakers banished to other hemispheres,
forgers of documents tossed down the stairs,
seducers scurrying to the altar,
orphans sheltered, widows comforted,
pride humbled, wounds healed over,
prodigal sons summoned home,
cups of sorrow thrown into the ocean,
hankies drenched with tears of reconciliation,
general merriment and celebration,
and the dog Fido,
gone astray in the first chapter,
turns up barking gladly
in the last.

Wislawa Szymborska

Translated by Clare Cavanagh

A new question

On February 2, 2015 ‘Workthoughts’ joined the blogosphere with a question, Why work?

“As children we are open to any work possibility. We haven’t learned the value society places on work and workers. Our exploration of the world of work begins with the folks who keep us safe. We imagine ourselves as those fictional superheroes, donning capes and masks, scaling buildings to save the city or the planet from threat.

Throughout our years of formal education we gain additional information about work and workplace options. By the time we are in high school, our academic performance and test scores have segmented the class into college bound and not.

As we progress through education we acquire the biases of our community and culture, strongly influencing our choice of work.

We begin our careers as interns; apprentices excited about an opportunity to finally realize a long held dream. Along the way we translate that experience into a full time job and begin our careers acquiring skills and learning the culture of the organizations we join.

We become engaged in our communities, raise families and continue our education.

At some point the momentum of our career trajectory outruns our initial dreams and values, and it’s important to ask, why work?”

Other questions emerged over the past three years, but all seemed subsets of the original. This one, posed by writer Meghan Daum, captured the uncertainty of our current workplace moment: “How do we measure fulfillment in work and where do we find it when the traditional channels have given way to a round-the-clock hustle?”

This may be the defining ‘future of work’ career question.

To respond, we need new definitions of success, more inclusive portraits of achievement; focus on the work itself, not the consequences. There are new constructs, locations, timelines and contracts. Relationships and expectations @work are more fluid. Everything is changing.

“We get surprised in real life because we can’t know everything there is to know. For one thing, we’re stuck in our own heads, in a single point of view.” Jincy Willett

As we begin year four, @workthoughts will continue to share the surprises and examine life@work through the lens of current reporting, research, poetry and ‘The Saturday Read’.






Are we missing a mentoring moment?

Before we turn into our best imitation of dysfunctional men@work, can we catch a breath and consider that we are on the same side?

Earlier this week a young journalist posted an account of an alleged sexual assault involving a visible Hollywood actor on a women’s news and lifestyle site.

Immediately the lines were drawn. Apparently those lines categorize ‘second wave feminists’ vs. the emerging ‘fourth wave feminists’. (My hair is hurting just writing this.)

Bottom line, both men and women are concerned that the momentum of #MeToo and #TimesUp will collapse with a published fictional account of workplace harassment.

It may happen, someone will fabricate, and when they do, we’ll deal with it. But we’re not there.

Again. We’re on the same side. Each of us has a role to play in this; as a leader or a participant in achieving the goals of workplace equity and safety.

This morning I viewed video and print accounts of an escalation in a divisive argument between a cable news anchor and the author of the original sexual assault story.

My question: Are we missing a mentoring moment here?

If an experienced professional in any field recognizes the potential of the office ‘newbie’, it’s their responsibility to guide, support and challenge that individual to ensure they have the resources to contribute. And when they go ‘off script’, engage in a constructive conversation.

I believe the 22 year-old online writer has received more unsolicited feedback this week than ever before in her career. Many influential ‘second wave feminists’ have been both supportive and critical. Although painful, what an amazing moment in a career when your work gets this level of attention.

How does this scenario end?

Time for the mentors to step up and for the ‘newbie’ to listen. If it were me, I would make the call and invite the new kid on the block to lunch. And if I was the newcomer, I would put on my listening ears, soak up all the wisdom of the ‘second wave feminists’ and become the best voice I could be for ‘fourth wave feminism’.

We’re on the same side. This has to end well.