The Friday Poem – ‘For the young who want to’ by Marge Piercy

When I started ‘work thoughts’ in 2015, I included a poem each Friday to allow the reader to step away from their daily workplace and gain a perspective of work through the words of various artists. To my surprise, looking back, the most searched topic on this site has been the poetry.

Sales for books of poetry have been increasing since 2019, with the majority of purchases in the ‘under-34’ demographic. “Poetry experts say that the pandemic, along with the social unrest the country has been experiencing, could have something to do with it..”

“We’ve been reminded during this time that poetry is an art form that people turn to in times of crisis for comfort and courage… “

Jennifer Benka, president and executive director of the Academy of American Poets

The selection this week is a reflection on work and recognition. Poet Marge Piercy (the first ‘Friday Poet’ considers her own profession as a writer, while offering advice ‘For the young who want to’. Her thoughts are equally relevant to each of us following our own unique calling.

For the young who want to

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.

Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don’t have a baby,
call you a bum.

The reason why people want M.F.A.’s,
take workshops with fancy names
when all you can really
learn is a few techniques,
typing instructions and some-
body else’s mannerisms

is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving you may be a clumsy sadist
whose fillings fall into the stew
but you’re certified a dentist.

The real writer is one
who really writes. Talent
is an invention like phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.

Marge Piercy, ‘Circles on the Water: Selected Poems’  (NY: Alfred A. Knopf, 1982)

Photo credit: BillMoyers.com ‘Sounds of Poetry’ 1999

The Friday Poem: ‘August’ by Mary Oliver

It’s August, an intermission before the commotion of fall. Except this has been an August, a summer, like no other. There is no certainty, other than the world at a distance of six feet.

In this time, ‘The Friday Poem’ returns after a few ‘fits and starts’, with ‘August’ by Mary Oliver.

We have lost spring, snug in our ‘stay at home’ place or serving on the front lines as essential workers. Summer is passing, offering the gift of a journey outside – breathing fresh air, splashing in a brook, climbing a tree, standing in the rain – away from our workplace for a moment.

Poetry and art will sustain us.

August

When the blackberries hang
swollen in the woods, in the brambles
nobody owns, I spend

all day among the high
branches, reaching
my ripped arms, thinking

of nothing, cramming
the black honey of summer
into my mouth; all day my body

accepts what it is. In the dark
creeks that run by there is
the thick paw of my life darting among

the black bells, the leaves; there is
the happy tongue.

 

Mary Oliver
American Primitive: Poems   Back Bay Books 1983

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The Friday Poem ‘Of History and Hope by Miller Williams

For the first ‘Friday Poem’ of 2019, I’ve gone back into the Workthoughts archives to reprise Miller Williams‘ poem ‘Of History and Hope’ delivered at the Inauguration of William Jefferson Clinton in 1997.

The Washington Post obituary for professor Williams, who died on New Years Day in 2015, included an excerpt of an interview with the Oxford American magazine. In the interview the poet shared the intent behind the words.

“…he wanted the poem to be a “consideration of how a look at a nation’s past might help determine where it could be led in the future.

“I knew that the poem would be listened to by a great many people, reprinted around the country, and discussed in a lot of classrooms, so I wanted it to be true, understandable, and agreeable…”

The words of the poet, recited from the steps of the U.S. Capitol building, 22 years ago, speak to us in this current place that is American, 2019.

“We mean to be the people we meant to be,
to keep on going where we meant to go.”

Of History and Hope

We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.

But how do we fashion the future? Who can say how
except in the minds of those who will call it Now?
The children. The children. And how does our garden grow?
With waving hands—oh, rarely in a row—
and flowering faces. And brambles, that we can no longer allow.

Who were many people coming together
cannot become one people falling apart.
Who dreamed for every child an even chance
cannot let luck alone turn doorknobs or not.
Whose law was never so much of the hand as the head
cannot let chaos make its way to the heart.
Who have seen learning struggle from teacher to child
cannot let ignorance spread itself like rot.
We know what we have done and what we have said,
and how we have grown, degree by slow degree,
believing ourselves toward all we have tried to become—
just and compassionate, equal, able, and free.

All this in the hands of children, eyes already set
on a land we never can visit—it isn’t there yet—
but looking through their eyes, we can see
what our long gift to them may come to be.
If we can truly remember, they will not forget.

Miller Williams  ‘Some Jazz A While: Collected Poems’  1999



The Friday Poem ‘August’ by Helen Hunt Jackson

The Friday Poem this week is ‘August’ by Helen Hunt Jackson. The poem was published in the August 1876 issue of The Atlantic. Ms. Jackson was a poet, historian, author and childhood friend of Emily Dickinson. As an activist, she would go on champion the rights of Native Americans.”

In 1884 she published ‘Ramona’, a fictionalized account of the plight of Southern California’s dispossessed Mission Indians, inspired by Harriet Beecher Stowe’s ‘Uncle Tom’s Cabin’.

The Friday Poem – because we all “Hath need of pause and interval of peace.”

 August

Silence again. The glorious symphony
Hath need of pause and interval of peace.
Some subtle signal bids all sweet sounds cease,
Save hum of insects’ aimless industry.
Pathetic, summer seeks by blazonry
Of color to conceal her swift decrease.
Weak subterfuge! Each mocking day doth fleece
A blossom and lay bare her poverty.
Poor, middle-agèd summer! Vain this show!
Whole fields of golden-rod cannot offset
One meadow with a single violet;
And well the singing thrush and lily know,
Spite of all artifice which her regret
Can deck in splendid guise, their time to go!

H.H. 

Reprinted from The Atlantic, August 1876

 

helenhuntjackson
Image: William S. Jackson, Special Collections, Tutt Library, Colorado College

The Friday Poem ‘An Old Man’s Thought of School’ by Walt Whitman

It’s been a difficult time for those who go to work as teachers in America. Many are on strike, not just for a living wage, but for supplies and improvements to the physical spaces that foster learning. Many have faced threats and continue to teach in the aftermath of mass shootings.

Pundits are fond of quoting Mark Twain, “History doesn’t repeat itself, but it does rhyme.” The Friday Poem this week is ‘An Old Man’s Thought of School’ by Walt Whitman reminds us that we have always struggled with the value of education in our society.

The poem was written three years after the New Jersey State Legislature passed ‘An Act to Make Free the Public Schools of the State’, providing free access to public schools “to all persons over five and under eighteen years of age.”

In 1874 poet  was recovering from a stroke at his brother’s home in Camden, N.J. At a public school dedication in early November he challenged his fellow citizens of the post-Civil War era:

“And you, America,
Cast you the real reckoning for your present?
The lights and shadows of your future, good or evil?

To girlhood, boyhood look—the teacher and the school.”

An Old Man’s Thought of School

An old man’s thought of school,
An old man gathering youthful memories and blooms that youth itself cannot.

Now only do I know you.
O fair auroral skies – O morning dew upon the grass!

And these I see, these sparkling eyes,
These stores of mystic meaning, these young lives,
Building, equipping, like a fleet of ships, immortal ships!
Soon to sail out over the measureless seas,
On the Soul’s voyage.

Only a lot of boys and girls?
Only the tiresome spelling, writing, ciphering classes?
Only a public school?

Ah! more, infinitely more;
(As George Fox rais’d his warning cry, “Is it this pile of brick and mortar, these
dead floors, windows, rails, you call the church?
Why this is not the church at all—the church is living, ever living souls.”)

And you, America,
Cast you the real reckoning for your present?
The lights and shadows of your future, good or evil?
This Union multiform, with all its dazzling hopes and terrible fears?
Look deeper, nearer, earlier far—provide ahead—counsel in time;
Not to your verdicts of election days—not to your voters look,
To girlhood, boyhood look—the teacher and the school.

Walt Whitman   New York Daily Graphic, November 3, 1874

“Recited personally by the author Saturday afternoon, October 31, at the inauguration of the fine new Cooper Public School, Camden, New Jersey.”

Photo: Cooper Public School, Camden, N.J. circa 1910

 

The Friday Poem ‘Theme for English B’ by Langston Hughes

The headlines of the past week included coverage of the school teachers’ strikes in Oklahoma and Kentucky, and the 50th anniversary of the death of Dr. Martin Luther King Jr. Often these events seem remote, not touching our daily lives. But they do.

The Friday Poem this week is ‘Theme for English B’ by author and poet Langston Hughes.

At the time Dr. King emerged onto the national stage, Langston Hughes was more well known. Until 1960 the poet and civil rights activist maintained a close friendship, ending when rumors of Hughes being a communist sympathizer appeared to threaten the future of the civil rights movement.

Theme for English B

The instructor said,

     Go home and write
     a page tonight.
     And let that page come out of you—
     Then, it will be true.

I wonder if it’s that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:

It’s not easy to know what is true for you or me
at twenty-two, my age. But I guess I’m what
I feel and see and hear, Harlem, I hear you.
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?

Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records—Bessie, bop, or Bach.
I guess being colored doesn’t make me not like
the same things other folks like who are other races.
So will my page be colored that I write?
Being me, it will not be white.
But it will be
a part of you, instructor.
You are white—
yet a part of me, as I am a part of you.
That’s American.
Sometimes perhaps you don’t want to be a part of me.
Nor do I often want to be a part of you.
But we are, that’s true!
As I learn from you,
I guess you learn from me—
although you’re older—and white—
and somewhat more free.

This is my page for English B.

Langston Hughes   ‘Collected Poems’   1994

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Image: Pastel Portrait Winold Reiss, National Portrait Gallery

 

#WorldPoetryDay ‘Poetry Is a Sickness’ by Ed Bok Lee

Today is World Poetry Day, a day to honor poets and global oral traditions. It was initially established by UNESCO in 1999.

“Poetry reaffirms our common humanity by revealing to us that individuals, everywhere in the world, share the same questions and feelings. Poetry is the mainstay of oral tradition and, over centuries, can communicate the innermost values of diverse cultures. In celebrating World Poetry Day, March 21, UNESCO recognizes the unique ability of poetry to capture the creative spirit of the human mind.” 

To celebrate #WorldPoetryDay, and recognize the work of the global community of poets spend a few minutes with the words of St. Paul, Minnesota based poet Ed Bok Lee, and his poem ‘Poetry is a Sickness’.

Poetry Is a Sickness

You write not what you want,
but what flaws flower from rust

You want to write about the universe,
how the stars are really tiny palpitating ancestor hearts
watching over us

and instead what you get on the page
is that car crash on Fourth and Broadway—
the wails of the girlfriend or widow,
her long lamentation so sensuous
in terrible harmony with sirens in the distance

Poetry is a sickness

You want to write about Adoration,
the glistening sweat on your honey’s chest
in which you’ve tasted the sun’s caress,
and instead what you get
is a poem about the first of four times
your mother and father split up

Want to write about the perfection of God
and end up with just another story
of a uniquely lonely childhood

If I had a dime for every happy poem I wrote
I’d be dead

Want to write about the war, oppression, injustice,
and look here, see, what got left behind
when all the sand and dust cleared
is the puke-green carpet in the Harbor Lights Salvation Army treatment center
A skinny Native girl no older than seventeen
braids the reddish hair
of her little four- or five-year-old Down’s Syndrome daughter

Outside, no blinking stars
No holy kiss’s approach
Only a vague antiseptic odor and Christian crest on the wall staring back at you

I didn’t say all this to that dude who sent me his poems
from prison

You want everyone to feel empowered
Want them to believe there is beauty locked in amber
inside each of us, and you chip away at that shit
one word at a time
You stampede with verbs, nouns, and scalpel adjectives
Middle-finger your literalist boss
Blow grocery cash on library fines
Sprain your left knee loading pallets all day for Labor Ready
You live in an attic for nine years
You go bankrupt
You smoke too much

Drink too much
Alienate family and friends
Say yes, poetry is a sickness, but fuck it
Do it long enough, and I promise like an anti-superhero
your secret power will become loss

Loss like only old people must know
when the last red maple on the block goes

and the drizzle turns to snow

Maybe the best poem is always the one you shouldn’t have written

The ghazal that bled your index finger
Or caused your sister to reject your calls for a year
The sonnet that made the woman you loved fear
That slam poem you’re still paying for
The triolet that smiled to violate you
through both ears

But Poet, Sucker, Fool
It’s your job
to find meaning in all this because
you are delusional enough to believe
that, yes, poetry is a sickness,
but somehow if you can just scrape together enough beauty and truth

to recall, yes, that Broadway car crash was fucked up,
but the way the rain fell to wash away the blood
not ten minutes after the ambulance left
was gorgeous

Or how maybe your mother and father would sometimes scream,
but also wrapped never-before-seen tropical
fruit for one another every Xmas Eve

How in the morning before opting out I watched
that tiny Native girl fumbling
to braid her own and her now-
snoring mother’s long black hair
together
in a single cornrow—

If I can just always squiggle
down like this:
even half as much
as what I’d otherwise need
to forget

maybe these scales
really will one day tip
to find each flaw that made us

Exquisite

 

Ed Bok Lee     ‘Whorled’   2011
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The Friday Poem ‘After Work’ by John Maloney

It’s Friday and the poem selected to start off this weekend is ‘After Work’ by stonemason and poet John Maloney.

There’s a line of demarcation, even in the 24/7 workplace, where we cross over from the identity we carry @work to perhaps the more authentic persona of how we see ourselves. It’s that transition space in a car stuck in LA on the 405, hanging tight on the subway in NYC or driving a pickup on the backroads of Tennessee. “No one can take away the contentment of the first few miles.”

After Work

They’re heading home with their lights on, dust and wood glue,
yellow dome lights on their metallic long beds: 250s, 2500s—
as much overtime as you want, deadline, dotted line, dazed
through the last few hours, dried primer on their knuckles,
sawdust calf-high on their jeans, scraped boots, the rough
plumbing and electric in, way ahead of the game except for
the check, such a clutter of cans and iced-tea bottles, napkins,
coffee cups, paper plates on the front seat floor with cords
and saws, tired above the eyes, back of the beyond, thirsty.
There’s a parade of them through the two-lane highways,
proudest on their way home, the first turn out of the jobsite,
the first song with the belt off, pure breath of being alone
for now, for now the insight of a full and answerable man.
No one can take away the contentment of the first few miles
and they know they can’t describe it, the black and purple sky.

The Friday Poem ‘The Benefits of Ignorance’ by Hal Sirowitz

Sometimes the Friday Poem is the perfect exclamation point for our times. This week’s selection is ‘The Benefits of Ignorance’ by poet Hal Sirowitz.

“If you’re not getting the benefits that most people get from acting stupid…”

The Benefits of Ignorance

If ignorance is bliss, Father said,
shouldn’t you be looking blissful?
You should check to see if you have
the right kind of ignorance. If you’re
not getting the benefits that most people
get from acting stupid, then you should
go back to being what you always were –
being too smart for your own good.

Hal Sirowitz  ‘Father Said: Poems’ 2004

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The Friday Poem ‘Consolation’ by Wislawa Szymborska

The Friday Poem this week is ‘Consolation’ from Nobel Prize winning poet Wislawa Symborska.

In November, novelist Annie Proulx was recognized with National Book Foundation’s Medal for Distinguished Contribution to American Letters. Her acceptance speech offered hope, “the happy ending still beckons”, and quoted Symborska’s words as proof.

“…somehow the old discredited values and longings persist. We still have tender feelings for such outmoded notions as truth, respect for others, personal honor, justice, equitable sharing. We still hope for a happy ending. We still believe that we can save ourselves and our damaged earth — an indescribably difficult task as we discover that the web of life is far more mysteriously complex than we thought and subtly entangled with factors we cannot even recognize. But we keep on trying, because there’s nothing else to do.

The happy ending still beckons, and it is in hope of grasping it that we go on. The poet Wisława Szymborska caught the writer’s dilemma of choosing between hard realities and the longing for the happy ending. She called it “Consolation.”

Consolation

Darwin.
They say he read novels to relax,
But only certain kinds:
nothing that ended unhappily.
If anything like that turned up,
enraged, he flung the book into the fire.

True or not,
I’m ready to believe it.

Scanning in his mind so many times and places,
he’d had enough of dying species,
the triumphs of the strong over the weak,
the endless struggles to survive,
all doomed sooner or later.
He’d earned the right to happy endings,
at least in fiction
with its diminutions.

Hence the indispensable
silver lining,
the lovers reunited, the families reconciled,
the doubts dispelled, fidelity rewarded,
fortunes regained, treasures uncovered,
stiff-necked neighbors mending their ways,
good names restored, greed daunted,
old maids married off to worthy parsons,
troublemakers banished to other hemispheres,
forgers of documents tossed down the stairs,
seducers scurrying to the altar,
orphans sheltered, widows comforted,
pride humbled, wounds healed over,
prodigal sons summoned home,
cups of sorrow thrown into the ocean,
hankies drenched with tears of reconciliation,
general merriment and celebration,
and the dog Fido,
gone astray in the first chapter,
turns up barking gladly
in the last.

Wislawa Szymborska

Translated by Clare Cavanagh