The Saturday Read: ‘Manifesto’ by Bernardine Evaristo

“I was never prepared to settle for less than I desired.”

I sometimes think our investment in professional development is better made on novels and memoirs vs. management guides. If you agree, head to your local independent bookstore for a copy of author Bernardine Evaristo’s ‘Manifesto’. (You may add an underlining marker to your purchase as well – take notes!) This memoir by the Booker Prize winning author follows her life and career trajectory and in doing so, describes influences, struggles, priorities, commitment, and the value of life-long learning.

She begins with a question: “Most people in the arts have role models –writers, artists, creatives – who have inspired them, but what are the other elements that lay the foundation for our creativity and steer the direction of our careers?”

How do you find a path to success when you don’t have access to the resources of the elite? How do you move beyond “My school didn’t inspire me to greatness… Nobody encouraged us to think big and make our dreams come true.”?  

In seven chapters, Ms. Evaristo details the evolution of her work ethic, commitment to craft and determination to mentor those who follow. Her story is a lived example of the value and responsibility of experience. Her narrative is relevant because each reader will find a point of connection in following the writer’s journey. 

“… we all learn, eventually that life demands a lot more from us than the ability to get good grades. Combating struggle and disappointment early on in life can instill a strength and determination we would not otherwise possess… Life presents us with obstacles. It’s never a completely smooth ride for anyone, and while nobody wants to struggle, it’s the only way to build resilience.”

And we don’t stop learning. “My goal, as always, is to continue to write stories and to develop my skills. There is no point of arrival whereby one stops growing as a creative person; to think otherwise will lead to creative repetition and stagnation.”

We read memoirs because we are curious. At the center, who is this person?

“I am first and foremost a writer; the written word is how I process everything – myself, life, society, history, politics. It’s not just a job or a passion, but it is at the very heart of how I exist in the world, and I am addicted to the adventure of storytelling as my most powerful means of communication.”

But that’s only part of the story. In her book review for NPR, writer Hope Wabuke described the ‘real world’ impact of Ms. Evaristo’s commitment and influence. “Evaristo’s work in supporting inclusivity in the literary arts is legend. It includes the commission of a Free Verse report, which found that less than 1% of poetry books in the United Kingdom were published by poets of color, and then creating a mentorship program, The Complete Works, to do something about it; this program mentored 30 poets over two years. Evaristo’s advocacy work also created the Brunel Poetry Prize for African writers, the first and largest award of its kind, and led her to work alongside Kwame Dawes in situating the African Poetry Book Fund as a force that has changed the shape of contemporary publishing. Most recently, as the curator of Black Britain: Writing Black, Evaristo is republishing overlooked books by Black authors such as Minty Alley, by C.L.R James originally published in 1936.”

‘Manifesto’ is one more creative endeavor for Ms. Evaristo to share her wisdom. Not all influences are one-on-one connections. Sometimes we find direction in a book. 

“We must pass on what we know to the next generation, & express gratitude to those who help us – nobody gets anywhere on their own.”

Learn more:

Bernardine Evaristo books – https://bevaristo.com/books/

Black Britain: Writing Back – https://www.theguardian.com/books/2021/jan/09/booker-winners-mission-to-put-uks-forgotten-black-writers-back-in-print

Brunel African Poetry Prize – https://www.africanpoetryprize.org

An aside: I picked up two new applicable concepts: “period of self-calibration” (which we can all use about now) and “to bounce back in the act of falling.” (advice to her students to continue to be positive) 

The Friday Poem: ‘There are no boring people in this world’ by Yevgeny Yevtushenko

“There are no boring people in this world.

Each fate is like the history of a planet.”

As a society we are exceptional at memorializing celebrity. Yet as a nation, we have yet to have a day of mourning for the casualties of the pandemic: 896,183

“… it isn’t people but whole worlds that perish.”

These words were written by poet Yevgeney Yevtushenko, and translated by Boris Dralyuk. This version appeared in The Guardian in 2017, a few weeks after the poet’s death.

“I write poetry, prose, and everything I do, I do on the principle of Russian borscht. You can throw everything into it — beets, carrots, cabbage, onions, everything you want. What’s important is the result, the taste of the borscht.”

‘There are no boring people in this world.’

There are no boring people in this world.
Each fate is like the history of a planet.
And no two planets are alike at all.
Each is distinct – you simply can’t compare it.

If someone lived without attracting notice
and made a friend of their obscurity –
then their uniqueness was precisely this.
Their very plainness made them interesting.

Each person has a world that’s all their own.
Each of those worlds must have its finest moment
and each must have its hour of bitter torment –
and yet, to us, both hours remain unknown.

When people die, they do not die alone.
They die along with their first kiss, first combat.
They take away their first day in the snow …
All gone, all gone – there’s just no way to stop it.

There may be much that’s fated to remain,
but something – something leaves us all the same.
The rules are cruel, the game nightmarish –
it isn’t people but whole worlds that perish.

The Guardian 5/6/17

And the final stanza, omitted in The Guardian, translated by Jennifer Croft and Boris Dralyuk.

People die. Their deaths can’t be reversed.
Their secret worlds won’t be traversed
again. And all that’s ever left for me to do
is cry, How can we lose you, too?

That is our question to answer. How can we lose another whole world without notice?

Photo credit: ‘In America: Remember’ installation William Atkins GW Today 9/28/21

Photo credit: Yevgeny Yevtushenko Brandi Simmons for The New York Times

The view from here – 2.2.22

It’s Groundhog Day: the national pandemic holiday, where we all live in Bill Murray’s repetitive rewind world. But, the more things stay the same – the more things are changing – and not in a good way. 

The folks who we’ve relied on in our local libraries and neighborhood independent bookshops to provide relief from plague monotony, and escape with recommended reading, are now defending themselves and the creative community of writers they curate from attempts to ban books. 

That’s why this date resonates with another observance.  

On this day, one hundred years ago, a Paris bookseller, Sylvia Beach published James Joyce’s ‘Ulysses’. An American in France delivered a book into a world intent on censorship. 

“All hope of publication in the English-speaking countries, at least for a long time to come, was gone. And here in my little bookshop sat James Joyce, sighing deeply. 

It occurred to me that something might be done, and I asked: Would you let Shakespeare and Company have the honor of bringing out your ‘Ulysses’?

He accepted my offer immediately and joyfully. I thought it rash of him to entrust his great ‘Ulysses’ to such a funny little publisher. But he seemed delighted, and so was I.”

Today, a century later, in America, the folks who go to work each day in bookstores and libraries find themselves targets as parents and legislators redefine culture. 

“So far, efforts to bring criminal charges against librarians and educators have largely faltered, as law enforcement officials in Florida, Wyoming and elsewhere have found no basis for criminal investigations. And courts have generally taken the position that libraries should not remove books from circulation.

Nonetheless, librarians say that just the threat of having to defend against charges is enough to get many educators to censor themselves by not stocking the books to begin with. Even just the public spectacle of an accusation can be enough.

“It will certainly have a chilling effect,” said Deborah Caldwell-Stone, director of the American Library Association’s office for intellectual freedom. “You live in a community where you’ve been for 28 years, and all of a sudden you might be charged with the crime of pandering obscenity. And you’d hoped to stay in that community forever.”

In the past two years, the expertise of so many folks has been questioned: public health professionals, doctors, nurses, educators…. Vital members of our communities who are now ostracized for doing their jobs. And now librarians. A town with a compromised public library loses its community center. Without a diverse range of narratives, we become dull and incurious. That may be the objective. 

But then there’s the century old lesson from Sylvia Beach.

“Undeterred by lack of capital, experience and all the other requisites of a publisher, I went right ahead with ‘Ulysses’.”

Keep reading. Reread. Visit your local library. Be curious, fearless and undeterred in your choices. 

BTW – The groundhog saw his shadow.

Sylvia Beach quotes from ‘Shakespeare and Company’ by Sylvia Beach 1956

Photo credit: Manhattan Beach pier – Daniel Genuth @RoundhouseMB

The week@work – gender gap @ the BBC, on Broadway & the C-Suite, plus four work/life questions while staring @ the ocean

This week@work the BBC published the salaries of top earners, and the gender pay gap at the broadcaster became the latest global headline news on the topic. Turns out the folks who work in theater and aspire to the corporate C-suite are finding the same barriers. Maybe it’s time to review your work/life view ‘from the beach’.

Sophie Walker, leader of the Women’s Equality party in the UK shared her opinion ‘It’s not just the BBC that must come clean about underpaying women’.

“When the BBC published the salaries of its top earners, the results were not surprising, but they were shocking. They even managed, momentarily, to silence the gender pay gap myth-busters: the trolls who daily patrol social media challenging any mention of a pay gap with supposedly hard facts about the “choices” women make.

Here is the real hard fact: women are paid less because we are considered to be worth less. The gender pay gap is a symptom of the structural barriers that women face, which can be seen at every level of working life and across every industry. It thrives on the unconscious bias that goes unchallenged by the surplus of white men in decision-making roles, and is magnified by occupational segregation, unequal caring responsibilities and pervasive stereotypes that intersect with class, race, age, sexuality and disability.”

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In an open letter to BBC director general Tony Hall, over 40 high profile presenters made a case for immediate action to remedy the inequality.

“The pay details released in the annual report showed what many of us have suspected for many years … that women at the BBC are being paid less than men for the same work.

Compared to many women and men, we are very well compensated and fortunate. However, this is an age of equality and the BBC is an organisation that prides itself on its values.

You have said that you will “sort” the gender pay gap by 2020, but the BBC has known about the pay disparity for years. We all want to go on the record to call upon you to act now.

Beyond the list, there are so many other areas including production, engineering and support services and global, regional and local media where a pay gap has languished for too long.

This is an opportunity for those of us with strong and loud voices to use them on behalf of all, and for an organisation that had to be pushed into transparency to do the right thing.”

Mr. Hall responded “…that the move to close the gender pay gap at the public broadcaster will be “accelerated” and that there would be a “marked difference” when salaries were published next year.”

The BBC story was not unique last week as Laura Collins-Hughes reported ‘When Women Won’t Accept Theatrical Manspreading’.

times sq“In theater as in life, there is a lot of manspreading: Men get more jobs, more money, more prizes, more stories told about them onstage than women do. The numbers are grim nearly everywhere, but especially on Broadway, where an Actors’ Equity study released last month showed female and minority actors and stage managers at a gross disadvantage to white men.

A recent tally on HowlRound, a theater industry website, documented the staggering lead men have over women as designers, directors and artistic directors in American regional theaters. Men dominate every area but costume design, where women traditionally hold sway.”

The third story on women@work this week was Susan Chira’s exploration of ‘Why Women Aren’t C.E.O.s, According to Women Who Almost Were’.

IMG_9129.jpg“More than 40 years after women began pouring into the workplace, only a handful have made it all the way to the top of corporate America. The percentage of chief executives of Fortune 500 companies who are women just passed 6 percent, creeping up (and occasionally dropping back) at a glacial pace.

The impact of gender is hard to pin down decisively. But after years of biting their tongues, believing their ranks would swell if they simply worked hard, many senior women in business are concluding that the barriers are more deeply rooted and persistent than they wanted to believe, according to interviews with nearly two dozen chief executives, would-be chief executives, headhunters, business school deans and human resources professionals.

What they say: Women are often seen as dependable, less often as visionary. Women tend to be less comfortable with self-promotion — and more likely to be criticized when they do grab the spotlight. Men remain threatened by assertive women. Most women are not socialized to be unapologetically competitive. Some women get discouraged and drop out along the way. And many are disproportionately penalized for stumbles.”

Which brings me to a constructive response from Art Markman, ‘Four Work-Life Questions to Ponder on Vacation This Summer’.

mb fog.jpg“It’s true that vacationing can hold some unexpected career benefits, in addition to letting you recharge your batteries and do some self-reflection about your working life, your personal life, and your overall goals. But musing on these big-ticket themes isn’t something many of us have a lot of practice doing. When you finally get a chance to do it, you might find your thoughts a little unfocused. That’s fine—mind-wandering is sort of the point here. But in case you need a little more structure, these are four questions to let your mind wander over.”

“Am I happy at work?”, “Where am I headed?”, “Who don’t I know?”, and “What’s Missing?”

This week@work consider your answers and once you have a sense of your ‘work identity’, use your voice@work to advocate on behalf of all and equality@work.

Photo credit: Cartoon – The Telegraph, MattCartoon July 20, 2017

The Friday Poem: ‘Today’ by Billy Collins

Spring arrived earlier this week. Time to take a break from your week@work and venture out beyond the confines of your work space. Cited by the Guardian as one of the ten best about spring, The Friday Poem is ‘Today’ by former Poet Laureate of the United States, Billy Collins.

“There is a delightful playfulness here – a sense of being, in spring, a mini-God within the kingdom of one’s own front room.”

Today
If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze

that it made you want to throw
open all the windows in the house

and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,

a day when the cool brick paths
and the garden bursting with peonies

seemed so etched in sunlight
that you felt like taking

a hammer to the glass paperweight
on the living room end table,

releasing the inhabitants
from their snow-covered cottage

so they could walk out,
holding hands and squinting

into this larger dome of blue and white,
well, today is just that kind of day.

Billy Collins  Poetry Magazine, April 2000

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The week@work: innovative companies, Mark Zuckerberg’s global community, famous writers attend a security conference, and a design idea for a friendlier office

This week@work Fast Company announced the ‘World’s 50 Most Innovative Companies’ and Mark Zuckerberg shared a template for the future of Facebook – ‘Building Global Community’. In a first, the Munich Security Conference included literary panels on their agenda. And, we found a simple ‘office design hack’ to encourage communication.

Amazon was named #1 on the 2017 Fast Company ranking of the world’s most innovative companies “for offering even more, even faster and smarter”. Noah Robischon reported on Jeff Bezos’ ever-accelerating world of ‘continuous evolution’.

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“Unlike Apple, Google, and Microsoft, Amazon is not fixated on a tightly designed ecosystem of interlocking apps and services. Bezos instead emphasizes platforms that each serves its own customers in the best and fastest possible way. “Our customers are loyal to us right up until the second somebody offers them a better service,” he says. “And I love that. It’s super-motivating for us.” That impulse has spawned an awesome stream of creative firsts…

Bezos’s strategy of continuous evolution has allowed the company to experiment in adjacent areas—and then build them into franchises. The website that once sold only books now lets anyone set up a storefront and sell just about anything. The warehouse and logistics capabilities that Amazon built to sort, pack, and ship those books are available, for a price, to any seller. Amazon Web Services, which grew out of the company’s own e-commerce infrastructure needs, has become a $13 billion business that not only powers the likes of Airbnb and Netflix, but stores your Kindle e-book library and makes it possible for Alexa to tell you whether or not you’ll need an umbrella today.”

On Thursday Facebook CEO and Co-founder Mark Zuckerberg set out his vision for his company in a 5,000 word post on Facebook.

“On our journey to connect the world, we often discuss products we’re building and updates on our business. Today I want to focus on the most important question of all: are we building the world we all want?”

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Josh Constine reported on the ‘evolution’ of Facebook’s strategy.

“Mark Zuckerberg never saw Facebook as just a business, and so never accepted his role as just a businessman. 

Five years ago, in Zuckerberg’s pre-IPO letter to Facebook investors, he wrote, “There is a huge need and a huge opportunity to get everyone in the world connected, to give everyone a voice and to help transform society for the future.”

Now with Facebook reaching 1.86 billion users and building technology to expand internet access everywhere, his constituency exceeds that of any nation. He’s made monumental strides toward steps 1 and 2.

Today, Zuckerberg offers a vision and rallying call for working toward step 3 — to “develop the social infrastructure to give people the power to build a global community that works for all of us.”

Not everyone is sipping the magic elixir. From ‘across the pond’, Carole Cadwalladr shared her opinion for The Guardian.

“But here’s another response: where does that power end? Who holds it to account? What are the limits on it? Because the answer is there are none. Facebook’s power and dominance, its knowledge of every aspect of its users’ intimate lives, its ability to manipulate their – our – world view, its limitless ability to generate cash, is already beyond the reach of any government.

Because what Zuckerberg’s letter to the world shows is that he’s making a considered, personal attempt to answer… the wrong question. He is wrestling with the question of how Facebook can change the world. Whereas the question is: do we actually want Facebook to change the world? Do we want any corporation to have so much unchecked power?”

The annual Munich Security Conference included a literature panel, ‘The Cassandra Syndrome’. Madhvi Ramani considered the significance, asking the question, “Why are famous writers attending the world’s most important security conference?”

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“With the rise of illiberalism, post-truth politics, and transatlantic uncertainty, the very pillars of the West are being shaken. In times of turmoil, people often look to literature for illumination.

Like Cassandra, who warned of disaster during the Trojan War, writers often take a longer view of issues. They are uniquely placed to examine and critique society from a removed perspective—as Don DeLillo once said, “The writer is the person who stands outside society, independent of affiliation and independent of influence.” All three writers involved in the MSC talks are known for their incisive, often critical, engagement with the politics, history, and cultures of their milieus.

Literature can help untangle the complexities of people’s lives and emotions and, as studies have shown, foster empathy: books are a key ingredient in an open, pluralistic, democratic society.”

Cari Romm shared the results of recent research from designer Daniel Krivens ‘The Design Hack That Makes for Friendlier Offices’ – eliminate “elevation segregation” by resetting the seating to ‘bar level’.

“…so many workplaces are designed to be a divided plane between those sitting, standing, and walking. When someone is sitting down, they are roughly 12 inches below the eye height of someone walking by—and this elevation segregation means everything to workplace productivity and conviviality.

What it means, essentially, is the difference between intentionally seeking someone out for a chat and just happening to fall into conversation.”

Finally this week@work, @YosemiteNPS, the annual phenomenon of ‘firefall’ as sunset reflects on the national park’s Horsetail Falls.

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Photo Credits: Amazon drone photo/Amazon, MSC photo of author David Grossman  MSC/Koch, Yosemite firefall/ NPS Yosemite

The week@work – the value of cross-functional experience, empowering introverts, economic recovery, and a new leader @librarycongress

It turns out that the path to leadership is paved not just by elite MBA degrees, but also with experience across a range of business functions. Once you arrive in the ‘C Suite’ it’s to your advantage to pay attention to the introverts in the room.

In other stories this week@work, evidence shows an increase in middle class incomes, there’s a new Librarian of Congress, and can you remember Oprah’s first book club pick 20 years ago?

Generalize or specialize? That is the question Neil Irwin answers in ‘A Winding Path to the Top’ for The New York Times.

“How does a person get to be the boss? What does it take for an ambitious young person starting a career to reach upper rungs of the corporate world — the C.E.O.’s office, or other jobs that come with words like “chief” or “vice president” on the office door?

The answer has always included hard work, brains, leadership ability and luck. But in the 21st century, another, less understood attribute seems to be particularly important.

To get a job as a top executive, new evidence shows, it helps greatly to have experience in as many of a business’s functional areas as possible. A person who burrows down for years in, say, the finance department stands less of a chance of reaching a top executive job than a corporate finance specialist who has also spent time in, say, marketing. Or engineering. Or both of those, plus others.”

Many corporations, in the past, had institutionalized ‘rotational assignments’ in a variety of business functions under the aegis of ‘leadership development programs’. When ‘shareowner’ value became the primary measure for CEOs, these internal employee development initiatives were shut down. But the need for cross-functional expertise never went away.

“To be a C.E.O. or other top executive, said Guy Berger, an economist at LinkedIn, “you need to understand how the different parts of a company work and how they interact with each other and understand how other people do their job, even if it’s something you don’t know well enough to do yourself.”

Developing multiple areas of expertise provide a pragmatic workplace foundation for the aspiring entrepreneur, the Fortune 500 CEO, and the variety of public and private leadership opportunities in between.

You learn the language, make life-long career connections, and maintain contact with your customer.

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Location seems to influence opportunities as well. Take note, all you folks who hesitate to relocate.

“Beyond the results on job functions, the data from LinkedIn shows some trends for which the explanations aren’t completely obvious. For example, former consultants who lived in New York or Los Angeles had higher odds of ending up with a top job than people in other large cities like Washington or Houston. A former management consultant with 15 years of work experience in six different functions and an M.B.A. from a top school had a 66 percent chance of becoming a top executive if he lived in New York compared with a 38 percent chance in Washington.”

Bottom line, moving out of you career comfort zone, whether that means function or city, holds long-term implications for career success.

The second story this week@work comes from the print edition of The Economist, ‘Shhhh! Companies would benefit from helping introverts to thrive’.

Most companies worry about discriminating against their employees on the basis of race, gender or sexual preference. But they give little thought to their shabby treatment of introverts.

The recent fashion for hyper-connectedness also reinforces an ancient prejudice against introverts when it comes to promotion. Many companies unconsciously identify leadership skills with extroversion—that is, a willingness to project the ego, press the flesh and prattle on in public.

What can companies do to make life better for introverts? At the very least, managers should provide private office space and quiet areas where they can recharge. Firms need to recognise that introverts bring distinctive skills to their jobs. They may talk less in meetings, but they tend to put more thought into what they say. Leaders should look at their organisations through the introverts’ eyes. Does the company hold large meetings where the loudest voices prevail? That means that it is marginalising introverts. Does it select recruits mainly on the basis of how they acquit themselves in interviews? That could be blinding it to people who dislike performing in public.”

Jim Tankersley reported for The Washington Post Wonkblog, ‘Middle class incomes had their fastest growth on record last year’.

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“Middle-class Americans and the poor enjoyed their best year of economic improvement in decades in 2015, the Census Bureau reported Tuesday, a spike that broke a years-long streak of disappointment for American workers but did not fully repair the damage inflicted by the Great Recession.

Real median household income was $56,500 in 2015, the bureau reported, up from $53,700 in 2014. That 5.2 percent increase was the largest, in percentage terms, recorded by the bureau since it began tracking median income statistics in the 1960s.

In addition, the poverty rate fell by 1.2 percentage points, the steepest decline since 1968. There were 43.1 million Americans in poverty on the year, 3.5 million fewer than in 2014. The share of Americans who lack health insurance continued a years-long decline, falling 1.3 percentage points, to 9.1 percent.

“The highest income growth was in the bottom fifth” of workers, “which is very welcome news,” said Lawrence Mishel, president of the liberal Economic Policy Institute think tank. Furman, of the White House, credited wage-boosting policy initiatives for some of that increase: “The fact that millions of workers have gotten a raise, as states have raised minimum wages, has definitely had an effect there,” he said.

All told, the gains brought median incomes nearly back to their levels before the recession, after adjusting for inflation, though they remain below 1999 levels. Bureau officials said the 5.2 percent growth rate was not statistically distinguishable from five other previous increases in the data, most recently the 3.7 percent jump from 1997 to 1998.”

On Wednesday, Carla Hayden was sworn in as the 14th Librarian of Congress“Hayden, the first woman and the first African American to lead the national library, was nominated to the position by President Barack Obama on February 24, 2016, and her nomination was confirmed by the U.S. Senate on July 13.”4532.jpg

Baynard Woods covered the appointment for The Guardian, ‘Carla Hayden: new librarian of Congress makes history, with an eye on the future’.“Even though librarianship is one of the four what they call feminized professions – social work, education nursing, and librarianship – where 85% of the workforce is female, there haven’t been an equal amount of women in the leadership positions,” Hayden said in an interview.

Hayden is also only the third Librarian of Congress to actually have training as a librarian.

“There have been lawyers and politicians, historians, scholars, librarians, and I think at this time it’s not a detriment to have a librarian be librarian of Congress,” she said.

The librarian of Congress oversees the world’s largest library system. As the name indicates, one of the main roles of the library is to assist Congress in the research it needs in order to pass bills. It also oversees the US copyright system, names the poet laureate, and preserves historical documents and books.

Hayden first came to national prominence in 2003 when she spoke out against certain elements of the Patriot Act as the head of the American Library Association. Attorney general John Ashcroft attacked Hayden for sowing “hysteria” about the provision of the act that would allow the government to search library and bookstore records.

Hayden shot back.

“We are deeply concerned that the attorney general should be so openly contemptuous of those who seek to defend our Constitution,” she said. “Rather than ask the nation’s librarians and Americans nationwide to ‘just trust him,’ Ashcroft could allay concerns by releasing aggregate information about the number of libraries visited using the expanded powers created by the USA Patriot Act.”

At the time, there was political risk in such statements, but Hayden said she never considered that.”

In history@work this week, September 17 marked the 20th anniversary of Oprah Winfrey’s Book Club. Do you remember the first pick? Jacquelyn Mitchard‘s ‘Deep End of the Ocean’.201603-ep521-own-watn-9-949x534.jpgOprah’s Book Club quickly became a hugely influential force in the publishing world, with the popular TV host’s endorsement capable of catapulting a previously little-known book onto best-seller lists.

When Oprah’s Book Club first launched, some in the publishing world were skeptical about its chances for success. As The New York Times noted: “Winfrey’s project—recommending books, even challenging literary novels, for viewers to read in advance of discussions on her talk show—initially provoked considerable skepticism in the literary world, where many associated daytime television with lowbrow entertainments like soap operas and game shows.” However, the club proved to be a hit with Winfrey’s legions of fans, and many of her picks sold over 1 million copies. (She earned no money from book sales.) Winfrey’s ability to turn not just books but almost any product or person she recommended into a phenomenon came to be known as the “Oprah Effect.”

Celebrate this week@work with a selection from Oprah’s long list of book recommendations.

 

Photo credit: Carla Hayden by Pablo Martinez Monsivais/AP

The Saturday Read ‘New York Fashion Week: An Oral History’

‘The Saturday Read’ this week is an online interactive feature from the September 8, 2016 New York Times ‘Thursday Styles’ section, capturing a multi-media moment in fashion history as the baton is being passed to the next generation of designers. Ruth La Ferla brings us ‘Our Stories’, an oral history from fashion icons Ralph Lauren, Donna Karan, Calvin Klein, Carolina Herrera, Michael Kors, Issac Mizrahi and Alexander Wang.

This one is for all of you who are first to the newsstand for the September issues of Vogue and Harpers Bazaar, hoping to find a few classical wardrobe elements to update your look for fall. Designer outlets may be the closest most of us get to the runway, but many aspire to a career in one of the global capitals of fashion.

“As New York Fashion Week approaches its 75th year (the first official shows, massed under the heading of Press Week, were held in 1943), with 151 shows spread over nine days, many designers are questioning the future of this semiannual gathering. “We are facing the end of an era,” the designer Diane von Furstenberg said in a recent interview. “But there is nothing nostalgic about that. The future will be more exciting.”

The future may well be exciting, but for many in the industry, the past is one to savor and celebrate. Here, a crowd of fashion notables reflect on their experiences: the good, the bad, the awkward and the forever memorable.”

From their “first shows”, through the “unforgettable moments”, “growing pains”, “the glamour girls” and the “dark days” as AIDS devastated the industry, the top designers, models and fashion commentators share their success, and the mistakes along the way to being installed as icons. If you believe we learn from the wisdom of others, this interactive experience is required reading/viewing.

Here’s a sample.

ZAC POSEN

“In February 2002, when I showed my first collection, I did the setup preshow in my parents’ living room. I had done the collection with small seed money that was generally lent by friends, family and with my savings from the lemonade stand that I had started as a kid on Spring Street.”

ALEXANDER WANG

“Our first fashion week show, for fall 2007, was in a Chelsea warehouse. It was hectic backstage. I remember our casting director freaking out because all the models and dressers (who also happened to be my best friends) were eating greasy pizza, and the director was like, “Where’s Alex?” I was right there eating pizza, too. I guess I didn’t know any better.”

DONNA KARAN

“The turning point came in 1985 when I left Anne Klein. At the time I said to my bosses, “I have this vision for a little company.” Women in those years were wearing shirts and little ties to the office. I asked myself: “Where is the sexuality? Where is the comfort? Where are the clothes that go from day into night? How do you travel with your wardrobe in one bag?” And that’s how the Seven Easy Pieces came about.”

ALEK WEK
Model in the 1990s

“When I started modeling, people kept saying, “Oh, she’s so different, she’s bizarre,” like I wasn’t quite normal. Of course there was a racist element to those conversations. People were beating around the bush. But if I focused on that, I don’t think I would have stayed in fashion. Being viewed as different only gave me more incentive. I wanted people to know that your features or your color don’t make you less beautiful. My motivation was deeper than me just putting on makeup and clothes and doing shows.”

SIMON DOONAN

“All those people perished, and now many young people maybe don’t even know that Perry Ellis was an actual person. Many young African-American designers would be inspired to know how many great African-Americans had careers at the time.

These people didn’t all just get on a bus and drive off somewhere. They died excruciating deaths, some in the hallways of hospitals without help or support. In many instances, their families rejected them. I distinctly remember people who didn’t have a funeral or memorial. I had a friend who was buried in an unmarked grave.

It’s always troubled me that these supertalented original thinkers weren’t adequately memorialized.

They were Patrick Kelly, Angel Estrada, Isaia, Clovis Ruffin, Halston, Antonio Lopez and Juan Ramos, Tina Chow, Tim Hawkins, Robert Hayes and Laughlin Barker. And the photographers: David Seidner, Barry McKinley, Herb Ritts, Bill King and so many more. They were window-dresser friends: Bob Currie, Michael Cipriano, Bob Benzio, Stephen Di Petrie. The list goes on.”

 

 

The week@work – Olympic stories, author salaries, “what a feminist looks like” & the July jobs report

This week@work the athletes who go to work every day to pursue an Olympic dream are in Rio, Forbes announced their list of top earning authors, President Obama penned an essay on “what a feminist looks like”, and the U.S. labor market grew by 255,000 positions.

The major story of the next two weeks will take place in Brazil as the athletes of the world gather to compete in the XXXI Olympics. Journalists covered two athletes who have travelled diverse paths to reach Rio 2016.

 Kianoosh Hashemzadeh introduced us to equestrian, Lauren Kieffer, ‘An American Rider Trying to Beat the Boys in Rio’, for The New Yorker

“There are two Olympic-level athletic endeavors in which men and women square off head to head: sailing and equestrian sports. Eventing, an equestrian sport in which horse and rider compete in three phases—dressage, cross-country, and stadium jumping—has been called the most dangerous competition in the Olympics. That danger has never deterred female riders: they have competed alongside men since the field became open to them, at the 1964 Games, in Tokyo. Women do well in the sport, but they have struggled to reach its uppermost echelon: the current top-ten list of the Fédération Équestre Internationale, the sport’s governing body, is made up of eight men and two women. There are, however, six women in the following ten spots—and sitting at No. 12, eager to crash the old guard, is the top female eventing athlete in the United States, twenty-nine-year-old Lauren Kieffer.”

lauren kieffer.jpg“No woman has ever won an individual gold medal in the sport, and, while Kieffer’s focus is to bring home a team medal, an individual victory would be particularly sweet. Women are contenders in eventing, but few have made it to the very top. As Kieffer told me, “Someone has to beat the boys.”

If you’ve seen the Visa commercial that has been running during the NBC Olympic coverage, you may recognize the name Yusra Mardini, a member of the refugee team competing at the Olympics.

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Charly Wilder profiled her heroic story from her training facility in Berlin for The New York Times, ‘She Swam to Escape Syria. Now She’ll Swim in Rio’.

“Yusra Mardini, an Olympic swimmer, was an hour and a half into her first training session of the day, butterfly-kicking down the length of a pool with a yellow rubber duck balanced on her head.

Last August, Mardini and her sister Sarah fled war-torn Syria and embarked on a harrowing, monthlong journey through Lebanon, Turkey and Greece, up through the Balkans and Central Europe, to Germany, narrowly dodging capture and death. When their crammed dinghy broke down between Turkey and Greece, she and her sister, also a swimmer, jumped into the water and helped guide the boat to safety.

Mardini’s story came to public attention in March when she was identified by the International Olympic Committee as a candidate to compete on a new team of refugees, made up of athletes who are stateless or would otherwise be excluded from the Games. She was thrust into the spotlight, celebrated by the news media as a fresh-faced example of Germany’s so-called welcome culture — a story of uplift at the center of the global refugee crisis.”

Robert Kitson updated the story from Rio after the first day of Olympic competition, ‘Yusra Mardini delights with butterfly heat win for Refugee Olympic Team’

“For those minded to complain about minor irritations in Rio such as humidity in the aquatics centre or a few nibbling insects, the 18-year-old’s story should serve as a timely reminder of life’s more pressing issues.

The venue may have been far from full and her heat loaded with competitors entertaining nil hope of reaching the final but Mardini was the most popular of winners in a time of 1min 9.21sec, just over a second faster than her nearest heat rival. Afterwards she could scarcely contain her joy: “Everything was amazing. It was the only thing I ever wanted was to compete in the Olympics. I had a good feeling in the water. Competing with all these great champions is exciting. I’ve only been back swimming for two years so we’re only now getting back to my levels of before.”

The next story this week@work is for all of you commuting to work, considering a career change. Forbes announced their annual ranking of the world’s highest paid authors this week and new to the top ten was commuter, former journalist and ‘near broke’ novelist, Paula Hawkins.

Natalie Robehmed reported on ‘The World’s Highest-Paid Authors 2016: James Patterson, Jeff Kinney and J.K. Rowling Top Ranking’.

“These well-heeled wordsmiths earned a combined $269 million over the last 12 months, proving that the written word isn’t dead–although television and movie adaptations often help drive sales.

Patterson topped our list for the third straight year, earning $95 million pretax, while children’s author Jeff Kinney placed a distant second, earning $19.5 million.”

hawkins.jpgThe only newcomer to the ranking: Paula Hawkins. After “The Girl with the Dragon Tattoo” and “Gone Girl,” her novel “The Girl on the Train” is the latest literary phenomenon with a calculating female character to hit the bestseller list. It sold 11 million copies worldwide; a movie version hits theaters in October.”

President Barak Obama wrote an essay linking his upbringing by strong women, his role as a father of two girls, and the nomination of Hillary Clinton, to describe “This Is What a Feminist Looks Like” for Glamour magazine.

“In my lifetime we’ve gone from a job market that basically confined women to a handful of often poorly paid positions to a moment when women not only make up roughly half the workforce but are leading in every sector, from sports to space, from Hollywood to the Supreme Court. I’ve witnessed how women have won the freedom to make your own choices about how you’ll live your lives—about your bodies, your educations, your careers, your finances. Gone are the days when you needed a husband to get a credit card. In fact, more women than ever, married or single, are financially independent.

malia-sasha-obama.jpg…the most important people in my life have always been women. I was raised by a single mom, who spent much of her career working to empower women in developing countries. I watched as my grandmother, who helped raise me, worked her way up at a bank only to hit a glass ceiling.

So I’d like to think that I’ve been pretty aware of the unique challenges women face—it’s what has shaped my own feminism. But I also have to admit that when you’re the father of two daughters, you become even more aware of how gender stereotypes pervade our society. You see the subtle and not-so-subtle social cues transmitted through culture. You feel the enormous pressure girls are under to look and behave and even think a certain way.

…we need to break through these limitations.” 

Finally, this week@work, the U.S. Labor Department released the July 2016 jobs report. Jeff Cox covered the news for CNBC.

“Job creation crushed estimates in July as the economy added 255,000 positions, according to the Labor Department.

The headline unemployment rate held steady at 4.9 percent, though a more encompassing measure that includes those not actively looking for work and those working part-time for economic reasons moved up a notch to 9.7 percent. Though still mired near generational lows, the labor force participation rate ticked up one-tenth to 62.8 percent as those counted as not in the labor force decreased 184,000 to 94.3 million.

Hourly wages also moved higher, increasing by 8 cents or an annualized pace of 2.6 percent, while the average work week edged up to 34.5 hours.”

Photo credits: Lauren Kieffer – Toni L. Sandys/The Washington Post, Yusra Mardini – Michael Sohn/AP, Paula Hawkins – The Daily Beast, President Obama – The Daily Mail

 

 

 

The generational divide – #wearehere and #Brexit

A collection of amateur photos taken by ordinary British citizens, on the 100th anniversary of the Battle of the Somme, served to bridge a century, and punctuate the generational divide that led ‘the lost generation’ to war, and ‘the millennials’ to #Brexit.

The topic #wearehere started trending early Friday morning as British citizens headed to work and encountered young men clad in the uniforms of World War I. For a few hours, in London, Aberystwyth, Birmingham, Sheffield, Salisbury, and Plymouth, the ghost soldiers of the Somme walked among their contemporaries.

Many of those first encounters were recorded on Twitter and Instagram, as commuters received cards from these ‘soldiers’.CmRNYS-UkAUqr3d“Thousands of volunteers took part in a UK-wide event on Friday 1 July 2016, as a modern memorial to mark the centenary of the Battle of the Somme. 19,240 men were killed on the first day of the battle in 1916 – the bloodiest day in British military history.

‘we’re here because we’re here’ saw around 1400 voluntary participants dressed in First World War uniform appear unexpectedly in locations across the UK. Each participant represented an individual soldier who was killed on that day one hundred years before.”

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Charlotte Higgins reported on the day for The Guardian newspaper. “The event, which unfolded without advance publicity, can now be revealed as a work by Jeremy Deller, the Turner prize-winning artist…Deller worked with Rufus Norris, the artistic director of the National Theatre in London, and theatres throughout the UK to train the volunteer army.

Deller was approached to devise an artwork to mark the centenary of the first day of the Battle of the Somme by 14-18 NOW, the body responsible for art commissions commemorating the war. “I quickly realised that what I didn’t want was a static memorial that the public went to to be sad,” he said. “In the 21st century I felt we had do something different. So I thought about the memorial being human, and travelling round the country. It would take itself to the public rather than the public taking itself to the memorial.”

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“And also the public wouldn’t know in advance that there was this thing happening – they would encounter it in the shopping centres and carparks and outside schools and in everyday British life. And I wanted to avoid heritage places – churches, war memorials. I wanted to take it to the public.” His key idea, he said, was to “avoid sentimentality”.

Look at the photo of the finale at Waterloo Station. A group of soldiers at the center are surrounded by their contemporaries, telegraphing the moment to social media. Two generations, a century apart facing unknown fates @war, and after #Brexit.

CmcwkjWWcAAb1sy.jpgThe politics of the early 20th century led to over a million British, French and German casualties in the Battle of the Somme between July 1 and November 18, 1916.

The rhetoric of current political leaders called into question today’s younger generation’s European identity.

So what have we learned in 100 years?

Someone thought it would be a great idea to preserve the peace and form a European Union. For all its frailties, its crowning achievement was replacing nationalism with an overlay of a ‘European’ identity; a multilingual, multicultural generation that travels freely across the continent to study, work, live and love.

Francesca Barber, a self-described ‘transnational’, gave voice to this dilemma of altered identity in the wake of #Brexit.

“I was born in Washington in the late 1980s, grew up in Brussels, moved to London and then returned to the United States, where I lived in New York City; Providence, R.I.; and San Francisco.

My parents are English. My first language was French. I went to a Belgian school and the European School in Brussels, where my classmates almost always spoke at least three languages.

My childhood was defined by endless car journeys across Europe. And as an adult, I have enjoyed the benefits of cheap deals on low-cost European airlines. Most of my friends have gone to school and worked in at least two European countries. I am part of the Erasmus generation. My friends and my roots are everywhere — and only now do I realize how much I took that for granted.

The “Brexit” vote on June 23 was the most serious geopolitical event for Europe since the fall of the Berlin Wall. But lost in all the geopolitics is another important message: It was a resounding vote against globalization from a country that has for so long been a proud champion of globalization.

But this vote was also a rejection by my fellow countrymen, from my parents’ generation to mine, of everything I cherished about Europe, Britain and my own childhood: the sense that our differences were less important than our shared experiences.”

Maybe it’s time for a ‘we are here’ for the European millennials – a ‘counter Brexit’, public art project.  What if, on a Friday morning, all over Britain, young workers approached commuters with CV profile cards, each participant representing a dream lost to Brexit? Mr. Deller, Mr. Norris we could use your help here.